A Quote by Bryce Dallas Howard

I've done a lot of weird, otherworldly characters, and I think I'm at my best when I'm kind of in the woods running around screaming or depressed. — © Bryce Dallas Howard
I've done a lot of weird, otherworldly characters, and I think I'm at my best when I'm kind of in the woods running around screaming or depressed.
"Into the Woods" was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.
Into The Woods was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.
When you think about rock at its origin, and you think of the Beatles and millions of kids screaming as loud as they can and running as fast as they can towards the Beatles, there's no one who is that kind of lightning rod, who commands that kind of power and has that kind of creative magma.
I've done movies that have mostly feminine characters and elements, and I think that both 'Heathers' and 'Truth About Cats and Dogs' are, in their own weird ways - they're different ends of the girl movie spectrum, but they're very much centered around the female characters, and I like those movies, and I like working with good actresses.
I remember talking to Xavier Woods about so many things and vignettes and backstages and these stories we could do between our crazy weird characters and their insane, obviously fun loving characters and all this stuff.
With supernatural type of movies, if they're not done correctly, there are a lot of actors just running and screaming and looking scared for an hour and forty, and that can get a bit old.
I did however used to think, you know, in the woods walking, and as a kid playing in the woods, that there was a kind of immanence there — that woods, and places of that order, had a sense, a kind of presence, that you could feel; that there was something peculiarly, physically present, a feeling of place almost conscious ... like God. It evoked that.
When Rioch came to Millwall we were depressed and miserable. He's done a brilliant job of turning it all around. Now we're miserable and depressed.
In all honesty, I didn't love reading when I was a kid. I'd rather be running around in the woods or doing my best to scare the pants off all the children in the neighborhood by pretending my house was haunted or making them play Bloody Mary in the bathroom.
I think when you're looking for scripts or for characters around your own age, a lot of the times they don't have the kind of responsibility that is usually seen in parts that are older for you.
I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative.
I think I probably had to have been two or three when I fell in love with anything that bounced - any kind of ball that bounced, I was running and screaming after it.
A lot of times the characters I play tend to be kind of loners or they don't have best friends or best buddies.
I've done 70 different characters on my podcast. But in terms of characters that I revisit a lot, I think there are 10 that I know more in-depth.
As a teenager, the idea of running around, screaming at people was very appealing to me.
I'm obsessed with the countryside: woods, forests, fields, lakes, mountains. I'm really into folk music and folklore. But more so I'm into electronic music. I'm into bands that have both aspects, like Boards of Canada is a perfect example. You could listen to that type of music running through a woods. It's kind of what I wanted to achieve.
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