A Quote by Bryce Dessner

We all contribute to The National, and it's like a familiar family. Matt is dad, Brian's like the dark horse uncle, Scott's the long-suffering mum, and Aaron and I are the bratty twins.
I speak to my mum and dad about the club, and my uncle and all my mates are big Leeds fans as well. They're on the up, if you like. It's a better situation than it was when they were in League One not so long ago.
We have a host of English teachers in the family. My mum is an English teacher, and so are my dad, my aunt and my uncle. I have grown up with family writing competitions, and I can't remember a birthday or Christmas present that didn't include books.
I'm an only child. My mum and dad are six in each family. They're both twins, and they only wanted one. I always say to them though that they're lucky - it could have all gone wrong.
Someone like Brian Cage, he's a gigantic man who is trying to wrestle like me. That's his mistake because I clearly hold the top card in someone who is wrestling like Matt Sydal.
I really like 'Roar' and 'Dark Horse.' 'Dark Horse' I really like, and I feel I would sing that in the bathroom; I would buy that album, and I think Katy Perry's amazing!
My dad's from Barbados, but I lived with my mum. She brought me up; my uncle took me to the football. I grew up in a white family, I'd say.
Dad told Uncle Seth not to screw things up,” she informed me as we washed our hands. “He said even if Uncle Seth is famous, him getting a woman like you defies belief.” I laughed and smoothed down the skirt of my dress. “I don’t know about that. I don’t think your dad gives your uncle enough credit." Brandy gave me a sage look, worthy of someone much older. “Uncle Seth spent last Valentine’s Day at a library.
My dad is a minister and my mum is a worker with the less fortunate and the disabled. They're Nigerian natives. Their first language is Yoruba, and their second language is English. My mum and dad moved to London when they had my eldest sister. They started a life in London as immigrants, and they built up from there. They're no actors in my family, but there are definitely animated black people in my family.
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
When I tell my friends, 'I'm in the 'Bourne' movie,' they're like, 'Congratulations! Wait... is Matt Damon coming back?' I go, 'Yeah.' And they're like, 'Yo! Matt Damon! Matty D!' Everyone pretends they know Matt Damon. It's exciting.
I really did feel like I was surrounded by family members. I didn't have a dad, and I remember there were all these guys - in the old days, there were no women, except a makeup artist or, occasionally, a script supervisor. So there were just guys who taught me how to, you know, whittle wood, or how to pull focus, and what the camera was doing. And if I was being bratty, they'd sit me down and tell me. There were lots of rules about not being late and making sure that you didn't spill anything. So it felt a little bit like I was in a family.
I always remember my mum and dad arguing a lot and one main reason was lack of money. I realized very young that I always wanted to make money so I'd never have the same arguments like my mum and dad.
My dad is from Ironwood and the last time I was in Marquette was in 1995 when my dad was still alive. Dad would have loved this. Even though my family is long gone from this area it still feels like home.
My mum and dad never went abroad for a holiday. My dad was overseas in the war but never thought about going anywhere like the Mediterranean after that, so my mum died without ever having been on a plane or abroad.
My dad's an English teacher and my mum's a midwife. Then my mum's side of the family are all crazy creative.
When I was in the middle of the 'Scott Pilgrim' series, and it was slowly becoming more popular, though still not financially solvent, I had this real bratty instinct to turn around and do something super arty and dark. I felt dismissed by comics culture, stuck in between the artcomix world and the nerdcomix world, and I was cranky about it.
This site uses cookies to ensure you get the best experience. More info...
Got it!