A Quote by Bryn Terfel

If you have a recital to do, you have to memorize the songs. I never use music when I do recitals. It produces an instant barrier, both for yourself and the audience. — © Bryn Terfel
If you have a recital to do, you have to memorize the songs. I never use music when I do recitals. It produces an instant barrier, both for yourself and the audience.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
One of the disadvantages of poetry over popular music is that if you write a pop song, it naturally gets into people's heads as they listen in the car. You don't have to memorize a Paul Simon song; it's just in your head, and you can sing along. With a poem, you have to will yourself to memorize it.
In terms of creativity, both are equally satisfying. Music album is for yourself, where you compose songs and stuff like that, and in films, you have a story, characters, and songs penned by someone else.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
In recitals, you are naked before the audience - well, naked with your jacket and tails. The audience sees and hears the real person, not some role you are interpreting.
I'm a miracle man, things happen which I don't plan, I've never planned anything. Whatsoever I do, I want it to be an instant action object, instant reaction subject. Instant input, instant output.
I'm a huge fan of Chennai - the culture, the musicians, the audience... Language is not a barrier. It is all about the emotion in the music.
For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
There sure are a lot of these 'instant' products on the market. Instant coffee, instant tea, instant pudding, instant cereal... instant dislike.
I'm more interested in pulling out strands of joy from both myself and the audience. I'm not saying the music or songs are "light," just that when they're performed with the correct commitment it's a source of real pleasure, for me anyway.
The way that music is approached in the temple is very call and response; it breaks down that barrier between performer and audience.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
I think it's mainly the language barrier and the cultural barrier, but of course also my songs, they have been very serious and melancholic, and so maybe people need to see more of my bubbly side and my personality.
Without an audience, all your dreams will not come true at all, because you need an audience to write new songs and continue to do music.
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