A Quote by Brynn Cartelli

Doing a song that's sassy but kind of has that little flair to it, it's very me. — © Brynn Cartelli
Doing a song that's sassy but kind of has that little flair to it, it's very me.
My mother is very emotional as well, but my dad is more of the guts of the family. He was the main preacher, so he kind of had this little Pentecostal flair, but they are born-again.
That word sassy - it haunts me. I keep getting the sassy thing.
Are you doing the kind of work you were built for, so that you can expect to be able to do very large amounts of that kind and thrive under it? Or are you doing a kind of which you can do comparatively little.
There's a song called 'My Faith' that's kind of my spiritual song on my record. It's a little bit of my softer side of me, comin' out of left field a little bit.
I think being a little older and a little more determined and being a little more evolved in my case and maturity in the kind of music I was doing and how I was doing it really helped to keep me grounded and with an audience that could appreciate what I was doing, who grew with me and evolved with me and kept me alive and around.
Things that Never Cross a Mans Mind is probably one of my favorite upbeat tempo songs because it is just a sassy song, and its a fun song.
'Things that Never Cross a Man's Mind' is probably one of my favorite upbeat tempo songs because it is just a sassy song, and it's a fun song.
There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment; like you're blushing. I like doing that. I did that with "Eyeoneye" and it was almost a curse on the song for a while; I debuted it when it was half-finished in a very public way
I'm a strong person. I'm also very sassy and a little bit angsty sometimes.
When I'm doing a session for another artist, it's a very scheduled thing, and it's kind of imperative that I write a song in that time. But if I'm trying to write a song for myself and I don't have an idea that day, I just can't force it.
Flair is a primitive kind of style. It is innate and cannot be taught. It can be polished and refined. When a person has flair, a grounding in the principle of design, and self-discipline, that person has the potential of being an outstanding designer.
I think it's something that really speaks in your head - a very strong melody. But at the same time, if the song doesn't have some kind of edge to it, if there isn't something a little off about it or something very intense or loud or abrasive in some way, it just comes off as a stupid pop song.
I like my name. My mom named me after a song by the 1970s group Bread. So, it's meaningful, and I like the song. It's a love song - kind of - but it's kind of depressing and dark.
I feel like songwriting changed from something that I liked doing to something that, I feel, is a very important outlet for me to digest all the things around me. Once I put thoughts into a song, I can let it go, it doesn't bug me anymore you know what I mean? It's kind of a catharsis.
Throughout the course [of Twilight], you get to see a little more of her vampiric side, because I think she's this vampire with a heart of gold and so that was kind of fun - to show her be a little tough and a little fierce, and to show that she has a little bit of a sassy side when she's dealing with the wolves or with Jacob. So I feel like I got to really round [Alice Cullen] out quite nicely.
When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?
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