A Quote by Bryson DeChambeau

You got to have a lot of mass to be able to produce a lot of ground reaction force, to function off of the ground, to press off of the ground. — © Bryson DeChambeau
You got to have a lot of mass to be able to produce a lot of ground reaction force, to function off of the ground, to press off of the ground.
On dispersive ground, therefore, fight not. On facile ground, halt not. On contentious ground, attack not. On open ground, do not try to block the enemy's way. On the ground of intersecting highways, join hands with your allies. On serious ground, gather in plunder. In difficult ground, keep steadily on the march. On hemmed-in ground, resort to stratagem. On desperate ground, fight.
This whole concept of boots on the ground, we've got a phobia about boots on the ground. If our military experts say, we need boots on the ground, we should put boots on the ground and recognize that there will be boots on the ground and they'll be over here, and they'll be their boots if we don't get out of there now.
I've matured a lot as a pitcher. I understand what my strengths are. I've learned that I've got a great sinker, I get a lot of ground balls, and it's easy to get a ground-ball double play.
Touring is a tough plane to get off the ground, and it takes a lot of hard work and a lot of investments.
I am one of the guys who really capitalized on the ground-and-pound game and am very vicious on the ground. I let go of a lot of elbows and cause a lot of damage.
My favourite ground is The Oval because I have a lot of memories on that ground.
There is enough oil in the ground to deep-fry the lot of us, and no obvious means to prevail upon governments and industry to leave it in the ground.
Is the ground a philosophical concept? Has mind a relationship to the ground? Is it an idea to be investigated? Is the ground put together by thought?
The Sydney Cricket Ground is my favourite ground in the world, my home ground, and growing up in the bush all I wanted was to play at the SCG.
They've picked their heads up off the ground, and they now have a lot to carry on their shoulders.
I've been on so many movies. Generally, I haven't gotten to be on the ground level. As of two years ago, in 'Dear John,' I got to really be on the ground floor. I wasn't a producer. I felt like I put the work in, and I did have a lot of sway on what got fixed, reshoots, so on and so forth. It felt really good.
There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
We may distinguish six kinds of terrain, to wit: (1) Accessible ground; (2) entangling ground; (3) temporising ground; (4) narrow passes; (5) precipitous heights; (6) positions at a great distance from the enemy.
Rapping and singing are not two polar opposites. There's so much middle ground. And I think there's a lot of people who find that middle ground.
I've been working on my ground skills. Putting in there upwards of 3 to 6 hours a day dedicated to training. And of course part of it is groundwork, and being that I am a striker, ground work for me is more for positioning and striking on the ground.
Designing is a lot like a high-wire act - if the tightrope walker is only six inches off the ground, where's the excitement?
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