A Quote by Bryson Tiller

I was in New York in 2014. It was still cold outside. I was sitting there working on 'Exchange' and 'Right My Wrongs' at the time, and a fan had commented on one of my songs called 'Let Em' Know' that was already on my SoundCloud and said, 'trapsoul movement.'
I released a song called 'Let Em Know' off SoundCloud, and some fan commented on it and was like, 'Trap soul movement,' and I was like, 'Man, that's dope. What is that?' And it just sounded like my music. That was the perfect word to describe my music, so I was just like, I'm going to call my project that.
I’m cold,' Snowden said softly, 'I’m cold.' 'You’re going to be all right, kid,' Yossarian reassured him with a grin. 'You’re going to be all right.' 'I’m cold,' Snowden said again in a frail, childlike voice. 'I’m cold.' 'There, there,' Yossarian said, because he did not know what else to say. 'There, there.' 'I’m cold,' Snowden whimpered. 'I’m cold.' 'There, there. There, there.
I could turn around as Wyatt Walker said to me about, not you personally, but about the whole Black Muslim movement. That if you go outside of New York City, Dr. [Martin Luther] King is known to 90 percent of the Negroes in the United States and is respected and, and is identified more or less with him, at least as a hero of one kind or another. That the Black Muslim, outside of one or two communities like New York, are unknown.
Yeah, no desire to live in New York. Giant buildings and it's cold and I'm a big Patriot, Red Sox's fan. What can I possibly do for fun in New York?
I was in New York last Christmas - it's snowing; there's a guy in a t-shirt. I'm like, 'Dude, aren't you cold?' 'No, I'm from New York. I don't get cold.' Just 'cause you're from a cold place doesn't mean you're genetically predisposed to not feeling cold. You're not a penguin. I was like, 'In fact, sir, you're Puerto Rican, so if anything, you should be more cold.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
I was in a Broadway musical called Big Time Buck Wright.The play didn't make it but I was a success. It lasted six days but I sung four songs and there were critics, seriously, in New York who said that my part was perfect. So I can beat Joe Frazier singing.
I love holidays in New York. I love 'em. I want to celebrate something all the time, and New York has holidays for every day of the week, practically. I like holidays in New York City.
I love holidays in New York. I love `em. I want to celebrate something all the time and New York has holidays for every day of the week, practically. I like holidays in New York City.
I have new music coming out. I'm working on some television shows. I still do a tremendous amount of concerts. I'm doing my restaurant. I got a club coming in New York. The restaurant is called Doug E. The club is called Fresh.
I was sitting at home one day and I got a call that Riccardo Tisci was considering me for the face of the Givenchy Spring/Summer 2014 campaign, and I said, "Are you kidding?" and that was the end of the conversation. I'm a really big fan.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
I had just gotten a job on 'Preacher' on AMC and was in New Orleans starting work on that. My agent called and said 'Are you sitting down?' and I said 'No' and he said 'Scott Rudin wants you to do 'Hello, Dolly!' and all I could say was 'Oh my God, I'll have to call you back.'
Had opened a gallery I already had strong connections with New York, because I was taking work on consignment from New York dealers. So I already knew a great many of the dealers and the artists here. It wasn't cold for me.
I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.
Now, my mom always said two wrongs don't make a right. But she never said anything about four wrongs, and that always left me confused.
This site uses cookies to ensure you get the best experience. More info...
Got it!