A Quote by Bryson Tiller

My uncle introduced me to R&B, like Dru Hill, 112 and all those dudes. Eventually, he put me on Omarion's first album, and that was the first album that made me want to start singing.
Everybody's family plays them music, and my grandma used to play a lot of old-school stuff, like Ron Isley and Gladys Knight. Earth, Wind & Fire is the one I started paying attention to. My uncle introduced me to R&B, like Dru Hill, 112 and all those dudes.
On my first album nobody asked me for a lot of advice. It was a producer's album. We were sent the same type songs with stock melodies. It was my first album and I was happy to do about anything they'd ask me.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
My first significant break was when I was 15, going on 16, and my cousin Courtney 'Bear' Sills told me you can make a career out of writing songs. He was the one who put me in with 112. The first song I did with 112 was 'We Can Do It Anywhere.'
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
There was just a moment when I fell in love with singing, probably when I started listening to Ben Howard and his album 'I Forget Where We Were.' I fell in love with that album, and that album really made me fall in love with singing.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
I have to apologize with one of my album because I called it Unleash the Dragon but I didn't really unleash - I kind of stayed in the Dru Hill vernacular, and that's why the album was so ballad-heavy.
My first album done what it had to do. It introduced me.
To me, 'Underground Luxury' is kinda like a contrasting title, and the reason for that is because on this album I plan on introducing to people and reintroducing to people the side of me that they didn't see on the first album.
I'd had my whole life to write my first album. I had my No. 1 and my third single out, and they go, 'Hey, guess what? We need to start recording the next one.' I'm like, 'Uh oh, I got to write another album. Well, how am I gonna write 'Should've Been a Cowboy' and 'Ain't Worth Missing' and all that again?' It took me forever to write the first one.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.
I think my first album was a gift for my birthday and a Faith Hill album; I loved her.
God would have to beam into me what I was doing and what the album actually sounded like because usually when I start a project like that, I already know what the album sounds like before I start it.
A band's first album's usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
This site uses cookies to ensure you get the best experience. More info...
Got it!