A Quote by Bryson Tiller
You know how Beyonce has Sasha Fierce? That's how I am. When I go out onstage, I become a different person.
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Winnie Harlow is my alter ego like how Beyonce refers to her stage name as Sasha Fierce.
When I get on stage, Beyonce is my alter ego. The way that she's Beyonce in real life and then Sasha Fierce on stage, I'm Normani in real life, and then I pretend to be Beyonce on stage. I just love that she's constantly reinventing herself but stays true to who she is as a person - and she wears so many hats in her life.
It's nice to be able to show how we are like in person and give a peek behind the curtain with 'Total Divas.' That's been my biggest feedback is how different than I am behind the scenes than I am onstage.
I have two different sides to my personality. I decided to give my fans what they want and who they are used to who is the person in all the videos and the person in 'Crazy in Love' who is Sasha Fierce. I have someone else takes over when its time for me to work and when I'm on stage.
When I dance, I look almost identical to Beyonce. And I mean identical. In many ways, when she becomes Sasha Fierce, she's actually just becoming me.
So, this is how it's become? This is how I've become? A walking contradiction? I'm surrounded by people and feel alone. I claim to crave a bit of normalcy but now that I have some, it's like I don't know what to do with it, I don't know how to be a normal person anymore.
It is one of those simple but beautiful paradoxes of life: When a person feels that he is truly accepted by another, as he is, then he is freed to move from there and to begin to think about how he wants to change, how we wants to grow, how he can become different, how he might become more of what he is capable of being.
What? Was he raised in a barn? Didn’t he ever learn how to close a door? Amateur shape-shifters…No manners whatsoever.” – Sasha “Do we need to get you a Midol before we go?” – Sundown “I’m not that easy to soothe, cowboy. My peeves are on a cellular level.” – Sasha
It seems that the more places I see and experience, the bigger I realize the world to be. The more I become aware of, the more I realize how relatively little I know of it, how many places I have still to go, how much more there is to learn. Maybe that's enlightenment enough - to know that there is no final resting place of the mind, no moment of smug clarity. Perhaps wisdom, at least for me, means realizing how small I am, and unwise, and how far I have yet to go.
Through Hinduism, I feel a better person. I just get happier and happier. I now feel that I am unlimited, and I am more in control of my own physical body. The thing is, you go to an ordinary church and it's a nice feeling. They tell you all about God, but they don't show you how the way. They don't show you how to become Christ-concious yourself. Hinduism, however, is different.
Being a dancer I've got the idea that through discipline and hard work, you can develop the ability to be in a different dimension within seconds. You can be vomiting, you can detest who you are, detest the world, detest every single thing, and the next moment you are in the light and you glow. You forget everything, and you are just flying. When you're onstage, you are someone else. Beyoncé is very conscious of this. She said to me, "I'm another person when I'm onstage." And I said, "Oh yes, you are! You are an animal when you are onstage. You are a stage animal."
In terms of what people see of me, I have become this girl who just loves to be photographed, doesn't know how to focus, doesn't know how to work on set, just loves the attention, knows how to go out at night, knows how to party.
Learn something from marriage. Marriage represents the whole world in a miniature form: it teaches you many things. It is only the mediocre ones who learn nothing. Otherwise it will teach you that you don't know what love is, that you don't know how to relate, that you don't know how to communicate, that you don't know how to commune, that you don't know how to live with another. It is a mirror: it shows your face to you in all its different aspects. And it is all needed for your maturity. But a person who remains clinging to it forever remains immature. One has to go beyond it too.
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'
Anytime I feel squeezed into a box, I just lash out. My gut reaction is to strike. It's a different character onstage: there's a whole dark sexuality that's completely different from me. You know, I don't let anybody know who I really am.
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