A Quote by Bubba Sparxxx
I took it upon myself to paint a better picture of rural life and what it is all about.
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Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
Must you know that yours will be the “better” picture before you pick up the brush and paint? Can it not simply be another picture? Another expression of beauty? Must a rose be “better” than an iris in order to justify it’s existence? I tell you this: you are all flowers in the Garden of the Gods.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
They say country music stands for more than the rural life. It's about life, period, whether lived in a high-rise or a hollow. I don't think rural or urban has that much to do with it.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
I can assure you that it feels even stranger to me than it probably does to you to have seen so much written about me when I have done so little to paint a picture of myself.
It takes two guys to tell a story, paint a picture, so our audience can be entertained and brought into the match. You need to suck people in emotionally to a match, and it takes both parties to paint that picture.
The more ways you can tell a story and paint a picture, the better it is.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
There's nothing hippie about my picture of Christ. The Gospels paint a picture of a very demanding, sometimes divisive love, but love it is.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
I maintain that if you're a novelist and you go into an art museum, you'll come out a better novelist. And if you paint a picture for an hour you're a better actor at the end of it.
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