A Quote by Bubba Wallace

I shoot with a Canon 5D Mark III. — © Bubba Wallace
I shoot with a Canon 5D Mark III.

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I carry my own film guys with me now. People think that's a huge expense, but with technology like it is these days, it's not. You can film videos and everything with a Canon Mark II, and shoot a movie. They're doing it for next to nothing, by comparison. I can do ten videos for a project for the price of one mainstream video in the past.
Since the purpose of reading, of education, is to become good, our most important task is to choose the right books. Our personal set of stories, our canon, shapes our lives. I believe it is a law of the universe that we will not rise above our canon. Our canon is part of us, deeply, subconsciously. And the characters and teachings in our canon shape our characters--good, evil, mediocre, or great.
I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
A realization and a dissection of the canon gave rise to the work. But there's also a sneaking suspicion of the canon.
To be secure everywhere is the mark of sophistication, to be unshakable is the mark of courage, to be permanently in love with every person is the mark of masculinity or femininity, to forgive is the mark of strength, to govern our senses and passions is the mark of freedom.
Art is not the application of a canon of beauty but what the instinct and the brain can conceive beyond any canon. When we love a woman we don't start measuring her limbs.
In aesthetic theory it might be extremely difficult, if not quite impracticable, to draw a line between the canon of classicism, or regard for the archaic, and the canon of beauty.
Assure thee, if I do vow a friendship, I'll perform it to the last article." --Othello, Act III, Scene iii
When all shoot at one mark, the gods join in the combat.
But phony, Hemingway was not, and poseur he was not. He did not shoot lions and leopards because he was searching for the answer to life. He shot lions and leopards because he bloody well liked to hunt and shoot, and killing was the best punctuation mark at the end of the intricate and fascinating process of hunting.
Malice can always find a mark to shoot at, and a pretence to fire.
Appropriation is a fact of life; no point in complaining about it. But if that's the way the game's being played, let's do it on both sides. I don't want some white guy making 'A Rage in Harlem III' if I can't do 'The Godfather V' or 'E.T. III.'
Goals give you a mark to shoot for and keep you motivated when you face adversity.
I kind of love that there's not really a feminist canon; or maybe there is, but it's being changed, that it's a constantly moving canon in the feminist blogosphere. I love that.
What makes a difference is when we take our mind and put it into the scriptures, when we read the Buddhist Canon, the Pali Canon, when we read the Tibetan books, when we read anything inspiring - somebody else's journey into the world of enlightenment.
I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot a arrow and it goes real high, hooray for you.
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