A Quote by Buchi Emecheta

As soon as I finish a book, I sell the paperback rights to different publishers and that's where I recoup my money. — © Buchi Emecheta
As soon as I finish a book, I sell the paperback rights to different publishers and that's where I recoup my money.
Authors will make far more on those ebooks through direct sales than publishers are offering. There is no incentive for authors to sell those rights to traditional publishers which means, in the fairly short term, publishers run out of material to sell.
We're in the media business today. We're in the business of helping authors and publishers market their books to readers. And that's where we make our money. We sell book launch packages to authors and publishers and really help accelerate, build that early buzz that a book needs to succeed when it launches and accelerate that growth through ads on the site.
This was an age before e-books. We all knew that the only way you can allow a book to survive in print in the long term is in paperback. The hardback has a certain life, and then it stops having that. It stops selling, and if you want the book to just stay around there has to be a paperback edition. So if there were not a paperback edition the book would eventually disappear from the shelves, and we would have lost the battle.
I'm having a reputation of being somebody who will not be crazy. Not descend to doing drugs and spending an enormous amount of money, and instead delivering a product to people. Something they can sell and recoup their money and make a profit.
You can't sell a book in America if you don't dump on Bush. That's the cheapest shot in the world. You cannot get an advance, and you can't sell a book because the publishers are all people who hate Bush and hate Republicans.
If you sell the film rights to your book, it doesn't mean there will be a film. I have sold the rights to five books and had zero films made. Take the money and be thankful.
People can take your name and write a book about you and they make money off of it. How is the public supposed to know you're not authorizing that book? As soon as you make a big stink about it it only makes the book sell more.
I don't write for an audience, I don't think whether my book will sell, I don't sell it before I finish writing it.
The price of an e-book is a lot less than the price that we're charging for a hardcover book. It's about the same as we charge for a paperback. And that means a different revenue stream.
With the success of 'Black Privilege,' of course, the book publishers wanted me to come with another book immediately. They came with the check, but I don't do things for money.
When you sell a man a book you don't sell just twelve ounces of paper and ink and glue - you sell him a whole new life. Love and friendship and humour and ships at sea by night - there's all heaven and earth in a book, a real book.
I was so in debt by the end of 'Dust Devil,' having picked up the tab personally for the post-production of the movie, and having no way to recoup because I didn't own the rights to the movie. There was no way I could see any money back on it, so any money spent was just a dead loss.
Software is becoming no different than a videotape or a record album or a paperback book, and not all of us are ready for that change.
We are forced by the major publishers to include electronic rights in the contracts we make with publishers for new books. And there's very little we can do about that.
Now the look of the book dictates the sale. In my day you could still buy a good cookbook in paperback with no pictures at all. I doubt if that would sell today. But those books were much used: they lived in the kitchen and got splattered with custard and gravy.
Most publishers seem very reluctant to publish short story collections at all; they bring them out in paperback, often disguised as novels.
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