A Quote by Buck Brannaman

Simply put; I'm trying to see what I can get done with the horse without him being troubled about doing it. — © Buck Brannaman
Simply put; I'm trying to see what I can get done with the horse without him being troubled about doing it.
I’m not trying to turn you into cowboys, I’m just trying to get you better coordinated, get your horse used to things, get your horse comfortable. Heck, on the first ride you should be swinging a rope off a horse. You should be doing this not so you can rope a cow, but just to get him (your horse) gentle. You can’t think of everything in life your horse might encounter that might make him afraid so you’d better prepare em for it in other ways.
Some guys make their careers off one horse; kind of a trick horse, a wonder horse. I'm not knocking that, but for me I'm trying to get better and study. That means taking out new horses. It's a life study. When I've finished a horse, I turn him out and basically stop riding him, except taking him to the occasional branding so I can enjoy him.
I have a supermarket full of ideas and the challenge is how many ideas can I get in my cart before I'm gone. When you're doing it, you're not focused on success. It's not a matter of modesty. You're simply trying to get all the things done that you want to get done in your life.
Think of the horse as your partner.and it's all one great dance. That's not to say it's always going to be easy or you won't have to work through issues. But when a horse is troubled or uncomfortable in our world, rather than show contempt for him, you must demonstrate empathy and work to convince him that you mean him no harm. You have some things that you'd like him to do 'with you', as opposed to 'for you'- and the best way to do that is as partners.
When you see a horse that’s troubled, you sort of feel sorry for them, yet that doesn’t mean that you wouldn’t still ask the horse to behave and find a way to fit in and respond to you as well.
Theatrical times are different from concert times, to put it simply. Taking a figure like [Mahatma] Gandhi and setting him on a stage requires thinking about what theater is about and what the whole experience is about and what we're trying to communicate in that way, so you get into certain less abstract considerations.
Theoretically the human is supposed to be the smart one so as you get acquainted with the horse, you explore what it's going to take for him to understand what you would like him do, with as little trouble as possible. You're trying to avoid conflict, not trying to create it.
The horse must understand and accept any demands made by rider without any resistance. Reward the horse each time he does what is asked of him. Never ask for more than he is capable of giving. Make him a COMPANION, and not a slave, then you will see what a true friend he is.
I guess in my house when I was growing up, I was comfortable trying to be funny. And my dad, of course, it bugged him sometimes. He was trying to rest, and I was constantly trying to say something stupid to get a reaction. But I like doing these movies. You can do it in front of the camera and then it's over. I don't have to worry about being in front of too many people.
I became immersed in the cult of improvisation. I was like one of those athletes trying to get into the Olympics. It was all about blind focus. I was so sure that I was doing exactly what I'd been put on this earth to do, and I would have done anything to make it onto that stage.
I have never taken a job or done a job where I felt I needed to leave my conscience at the door. One of the the great things about not being in politics as a career is that I can do this job without thinking about my career. I can think about what we're trying to do, what we're trying to accomplish and what we're trying to leave.
I have never taken a job or done a job where I felt I needed to leave my conscience at the door. One of the great things about not being in politics as a career is that I can do this job without thinking about my career. I can think about what we're trying to do, what we're trying to accomplish and what we're trying to leave.
Being general manager is like being the de facto owner. It's like wearing the crown of 'Restaurant Man' without being 'Restaurant Man.' You're trying to run the business, but you're running the ranch without riding the big horse.
I don't like being on a horse. That's the only negative of doing a Western. I like the whole get up, and I look great in a hat. But I get tense around horses. So, if they could make a fake horse, then I'd do a Western.
Horses are consistent and logical. The horse will do what is easiest for him. If you make it easy for him to buck you off, kick you, and run away, that’s just what he’s going to do. And more power to him. But if you make it easy for the horse to be relaxed and calm and accurate — and also have it be a beautiful dance between you and the horse — it won’t be too long before he’ll be hunting for that just as hard as you are. Whatever you make easy for the horse, that’s what he’s going to get good at.
Training a horse is above all feeling and trying, according to what you feel, to help the horse and not to force him.
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