A Quote by Buck Owens
We were sharecroppers - we were a little bit of everything. We farmed and tried to make something.
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I will say that 'Riverdale,' yes, is a little more sensationalized. It's based on comics, and it is a little bit more dramatic and a little bit more made for TV, made for teens. For '13 Reasons,' we tried hard to make it as real as we could, as close to reality as possible. No corners were cut; everything was very raw and very real.
In 1932, the predecessor organization, the CDC, took 299 black sharecroppers from the South who had syphilis. They offered them free healthcare, hot lunches, and free burial. They said you can only come to us for healthcare. These were men who were sharecroppers, and they had syphilis. They were never told they had syphilis.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
Kate Winslet also happens to be one of my close friends who I goof off with like crazy. It was a reunion of two people who, I guess, are a little bit older, a tiny bit wiser but ultimately were the same as they were when they were 21.
-there was something in her, something that was...pure horror. Everything you were supposed to watch out for. Heights, fire, shards of glass, snakes, Everything that his mom tried so hard to keep him safe from.
I want you to try and remember what it was like to have been very young. And particularly the days when you were first in love; when you were like a person sleepwalking, and you didn’t quite see the street you were in, and didn’t quite hear everything that was said to you. You’re just a little bit crazy. Will you remember that, please?
This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought.
The South Vietnamese were perhaps a little bit slow in doing things, they jump on, on the problem and they try to do themselves everything. Or, they try to have some short cuts with the, those people they were dealing with.
What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
Using the Africanist model, each generation should take the family name to a higher place. My father's folks were sharecroppers in South Carolina. He went to Harlem. They were still poor, but they moved up. If my parents didn't do this and offer me this background, I wouldn't be here.
Modelling opened up the world to me. All my friends were bohemian artists and were a little bit appalled when I sold out and did something so bourgeois. I'd say, 'Come on, guys, with what I earn from this job, we can all go to Morocco.'
Marriage has failed because you could not rise to the standard that you were expecting of marriage, of the concept of marriage. You were brutal, you were, you were full of jealousies, you were full of lust; you had never known really what love is. In the name of love, you tried everything which is just the opposite of love: possessiveness, domination, power.
I tried to instill a different motivation, to give them the security and the conviction that they were doing something good, something necessary, something useful - if you want to use a grandiose expression, that they were doing something for peace.
We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We're kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us.
We were never the cool band to like. They tried to put us into a hair-metal thing, but we weren't really Warrant or Poison. We were always outside the box. I think we had a little niche that nobody had - maybe the funkiness had something to do with it.
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