A Quote by Buck Owens
I found a sound that people really liked - I found this basic concept and all I did was change the lyrics and the melody a little bit. My songs, if you listen to them, they're quite a lot alike, like Chuck Berry.
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I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
I never liked blues and I really didn't like jazz. I liked Chuck Berry.
I never liked blues music, and I really didn't like jazz. I liked Chuck Berry.
Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.
I remember I did quite a lot of interviews when the book and the CD came out, and I did a drivetime interview for Radio London or something. You wouldn't immediately associate the music on Ocean Of Sound with drivetime radio, but people found things that they liked, and the DJ was playing some records at 5 o'clock in the afternoon on a weekday.The man who was playing them said to me, "That Peter Brotzmann track, it's like having your head boiled in acid."
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
I take things a little bit more critically now, like, "What did I think I was saying in that song? What is this song about?" I thought the lyrics were incredibly descriptive, and now they sound really cryptic and weird. I'd like to also think that when I listen to songs from Something About Airplanes that I'm proud of my development as a writer. I don't think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
Often, with our music, there's quite a lot going on, so people hear melodies that sound up and catchy, and production, and maybe don't really listen to what the songs are about, so it's nice to sing a song like 'The Currents' and really mean it.
If you listen to a lot of the songs that are popular now, there's very little melody in there. People love the beat. But to musicians, it's melody, because we understand how elusive it is and how hard it is to hold.
'Simply the Best' has always been one of my favourite songs and a song that I've always thought was far deeper than what you imagine it to be at first listen. I found the lyrics to be really, oddly beautiful, considering you rarely stop and think about them.
You listen to Charlie Parker or John Coltrane before they found their voice, they sounded different. And when you listen to them after they found their voice on their instruments, they sound more confident and in control. Artists have that, too.
I was playing with Chuck Berry, who sounded like an English teacher. Did you ever listen to his records? He pronounces every word.
I like songs that have like a little bit of quirkiness to them. What I like to do with songs, is kind of throw a little curveball in the lyrics or in the arrangement, to kind of give it a little twist to it.
I just found out last week - my sister told me - that my father had some Beatles records. So I must have heard them quite a bit, but it never registered, really. Now I listen to them with new ears.
I liked the Beatles but I wasn't mad on the Stones. I always thought they were a slight rip-off of Chuck Berry and some of the old blues people, and they never seemed to change. If people compare me to Jagger and the Stones I would be the one to be put down ... I've been far more progressive than any of them.
Go back to the very beginning, when we first started playing in local pubs. We used to play Chuck Berry covers. Every now and then, we'd slip in one of our own songs, and we found that we were getting away with it - nobody seemed to know these were original tracks.
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