A Quote by Bud Luckey

When I started working with a computer, to me it was kind of like animating with a backhoe. But when you see the results, it just blows your mind. — © Bud Luckey
When I started working with a computer, to me it was kind of like animating with a backhoe. But when you see the results, it just blows your mind.
I really just drew off of where we are now, with reality TV. You can't help but see a lot of it. You choose to watch some, but with some, you just can't help but hear it and see it. It's just piercing in your brain. That piercing is what I was tapping into , with whatever they were doing to pierce into the minds of everybody. It takes a certain kind of person to shut your mind off to the consequences and just try to get results. That's what I was going for - results.
When I see my old mates they will say, 'You're doing well, good on you!' It kind of blows their minds - it blows my mind too!
As soon as you have good mechanical technology, you can make things like backhoes that can dig holes in the road. But of course a backhoe can knock your head off. But you don't want to not develop a backhoe because it can knock your head off, that would be regarded as silly.
I just looked in to stuff to do to keep me occupied. Alright, I'm gonna start dieting. I'm gonna start working out more. So then I started to lose weight, and then I started to see some results, and I started to drop some weight.
In a kind of simple, stupid way, when you walk down a normal city block and you turn around the corner and there's 40 vintage cars and every storefront has been done over to look like 1941, it just kind of blows your mind. It's movie magic.
Gosh, for me, when I was 15 or 16 years old, I was just starting to understand ideas and film and things like that. And then, you go see a movie like 'The Matrix' that absolutely blows your mind. It's not just trying to entertain you, but it's also trying to explore something about human nature and ask some really deep questions.
I kind of look at what's on the T-shirts and I see another solution, which also worries me. I see "Just do it." "No fear." - this kind of suppressive response to the treacle that the culture tries to define for us as a meaningful life also blows up on you. "No fear" is not something that you should put on your shirt. How about "I can hold my fear and still connect with you"? Put that on your shirt. "It's okay to be me, with all of my history." Put that on your shirt.
Being a former dancer, classical dancer, it informed me as a human being just in terms of the grace I guess. Ballet is a very graceful form of art. You also become very aware of your body and your mind and your body is working in conjunction. That kind of helps you in acting as well. It's not only using your mind, it's like making your mind communicate this character into your body so that you can bring it to life and physicalize it.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
You go to Florence and all the paintings you've seen in books are there. To see them in real life, it just blows your mind.
I feel like when I'm working and when it's not my time off, I like working out alone because it's kind of like that time that my mind gets to just shut off and I can just focus on working on being a better boxer.
Sometimes the things you plan for and hope for don't end up coming through and the thing you weren't really thinking about is the opportunity that kind of just blows your mind.
Just the thought of being on Oprah's radar at all is humbling, but to actually have her take time get on the phone with me kind of blows my mind.
There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.
I was really looking at computers as a way to understand the mind. But at M.I.T., my mind was blown by having a whole computer to yourself as long as you liked.I felt a surge of intellectual power through access to this computer, and I started thinking about what this could mean for kids and the way they learn. That's when we developed the computer programming language for kids, Logo.
When I step outside and think of the caliber of actors I've had the privilege of working with, it just blows my mind.
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