A Quote by Bud Luckey

To be an animator you have to be able to tell stories but I'm not very verbal - I definitely do it through pictures. — © Bud Luckey
To be an animator you have to be able to tell stories but I'm not very verbal - I definitely do it through pictures.
I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.
Very early on, I was writing stories, and I was amazed at Spielberg's movies when I was young. Coming from the countryside, I was so impressed with the way he was able to tell stories and the way he was able to deal with le merveilleux - the wonders.
Stories were primarily verbal to begin with. Before there were cave paintings, stories were told over generations. We tell each other thousands of stories in the course of everyday life.
Very early on, I was writing stories, and I was amazed at Spielberg's movies when I was young. Coming from the countryside, I was so impressed with the way he was able to tell stories and the way he was able to deal with le merveilleux - the wonders. Very quickly, he became for me a massive hero, and he introduced me to the world of a director.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
The rise of anime had to happen. If the Japanese could tell better American stories, it would go through the roof. They still tell stories which are very much oriental. I take my hat off to them.
In exorcism, a verbal argument can never do anything. You can't ever beat the entity in a verbal argument because that's what he wants. It's only through a confront, a non-verbal confront, that anything happens. It has to be non-verbal.
It's an amazing feeling to feel that I was able to get a personal connection to the work, through the work of it. But I like the idea that I was able to tell a bunch of people's stories even though I didn't know them.
I've gone through a lot of stuff in my life so far. There are stories I haven't really been able to tell.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
When I went to Jamia, I thought I wanted to be a cinematographer or photographer because I liked telling stories in pictures, but my teachers explained that if you want to tell your own stories then that is what a director does.
For all the talk of my pictures being narratives or that they're about storytelling, there's really very little actually happening in the pictures. One of the few things I always tell people in my pictures is that I want less - give me something less.
The hardest lesson to learn always is to just have faith in that you will always have something to say or a story to tell. I have faith that I'll be able to continue to tell stories, write and tell stories. You just need to keep going at it.
I get verbal diarrhea in the writers' room. I just tell everyone a million anecdotes and stories and craziness, and we all double up on the floor laughing.
India uses Bollywood, rather cinema, to tell its stories. It is one of the largest filmmaking nations in the world and so your talents get to tell stories about politics, love and drama through films.
I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
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