A Quote by Budd Schulberg

I suppose it's too bad people can't be a little more consistent. But if they were, maybe they would stop being people. — © Budd Schulberg
I suppose it's too bad people can't be a little more consistent. But if they were, maybe they would stop being people.
Friends. They aren’t any such thing as good friend or bad friend. Maybe there are just friend. People who stand by you when you're hurt and who helped you feel not so lonely. Maybe there are worth being scared for and hoping for and living for. Maybe worth dying for too. If that what has to be. No bad friends. Only people you want. Need to be with. People who build their houses in your heart.
People are looking back and trying to, you know, get compensation for bad mortgages and all the rest of it in some of the agreements that are being reached. There's nothing magic about regulations, too much is bad, too little is bad.
I love taking people on that journey, which I feel like can open them up to seeing human beings a little more complexly. People that you originally don't like, maybe they have reasons for the way they are, and maybe we can start to understand each other a little better as opposed to being quick to judge and dismiss people.
I suppose I would like to find out more about my grandparents because I knew them when I was too young to grasp that they were interesting people. They were my grandparents, source of treats.
we drove on and on, past little villages and both good things and bad things were happening to the people in those villages too, but I still was nothing but arms and ears and eyes and maybe there'd be either some good luck for me or more death tomorrow.
Originally, I didn't play any New Order when I deejayed. I suppose it comes from being a little embarrassed or humble or whatever. But people were coming to see me because of New Order, so in the end, I had to realize that if they were using my name on the poster, then maybe I should play some of the music.
There's one thing about freedom ... each generation of people begins by thinking they've got it for the first time in history, and ends by being sure the generation younger than themselves have too much of it. It can't really always have been increasing at the rate people suppose, or there would be more of it by now.
The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension of our lives. We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.
When you're no longer seeing yourself, in some ways. You're as close to being as you can be.I suppose that's consistent with the moment that the mind actually turns off, and is no longer questioning what you're doing. When the questions stop, that's when the real acting takes over. And trying to get to the point where the questions stop, "Would I do this? How do I feel about that as a character?" When those stop, and it's just doing X, Y, and zed, because that's what you'd do as this character, because you're inside this character somehow - that's when it really kicks off.
Suppose you had inherited the same body and temperament and mind that Al Capone had. Suppose you had had his environment and experiences. You would then be precisely what he was. . . . For it is those things - and only those things - that made him what he was. . . . You deserve very little credit for being what you are - and remember, the people who come to you irritated, bigoted, unreasoning, deserve very little discredit for being what they are.
if I could tell my very-younger self something, I would tell him to let loose more often. I think it all roots in sexuality, but because of that, I became so worried about everything — worried about what people thought. I was afraid to be creative and charismatic and eccentric. Just to do things to do things, like dancing. I was afraid of looking too flamboyant or something. I would tell myself to stop being so stressed about what other people are thinking. Stop being so afraid that something may not come off the right way.
There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.
In the older folklore, faeries were frightening beings. In fact, it was such a bad idea to get their attention that people would use flattering euphemisms for them, such as 'the people of peace,' 'the little people,' and 'the good neighbors.'
I think that being good to people - you'll never regret that. Maybe you'll get walked all over, maybe you'll get tricked, maybe you'll get fooled, but I think it's so much better to be kind to people and to trust people rather then to have your guard up and say mean things to people. You never want to be the reason that someone else feels bad.
Maybe the world wasn’t made of universals that could be summed up in neat little packages. Maybe there were just people. People who were tired and hurt and lonely and kind in their own way and their own time.
Too bad people can't always be playing music, maybe then there wouldn't be any more wars.
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