A Quote by Buddy Guy

They just said, 'Roll the tape.' No rehearsal or nothing... Muddy [Waters] didn't come in and say 'I wanna rehearse.' He used to look at me and say 'Let's just play the blues. That's all you need to do.
I love early blues like Bessie Smith, Muddy Waters, and Howlin' Wolf. I listened to the way these people sang, and it was just beautiful - straight from the soul. That, for me, was an inspiration.
Muddy Waters, I suppose, was my first great hero. You know, every boy wants to be a guitar player, and Muddy Waters was just the king. He was the King Bee. He was it.
When I was in the country and I was trying to play, nobody seemed to pay too much attention to me. People used to say, 'That's just that ole blues singer.'
I ain't got nothing to say. I just wanna play football.
Don't you understand anything about commitment, about being a pro, about sticking with what you say you wanna be? You don't just say it when you feel good. You don't just say it when you're not tired. You don't do it just when it's not sunny. You do it every day of your life. You do it when it hurts to do it, when it's the last thing in the world you wanna' do, when there are a million reasons not to do it. You do it because you're a professional.
I'd play whenever I could get my hands on an electric guitar; I was trying to pick up rock'n'roll riffs and electric blues - the latest Muddy Waters. I'd spend hours and hours on the same track, back again, and back again.
I used to cold call labels and pretend I was one of their artist's attorneys. I'd say, 'This is Jay-Z's attorney, we need to speak with Craig Kallman,' you know, owner of Atlantic, and they'd say, 'Right away,' and then I'd be like, 'Please just listen to my demo tape!'
My dad was very influential with the music he exposed me to. He was really into blues and folk, so he'd play me guys like Muddy Waters and T-Bone Walker and Richie Havens - a lot of very emotional players.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
James Cotton is a real blues guy, and he played with Muddy Waters, and it surprised me that they would want me to make a record with them, that he called me to do this record. I'd never done anything like that before. But I love blues, so I was very happy.
I love Bach cello suites, I love punk music, I love old blues, negro spiritual quartets, Muddy Waters' 'You Need Love.' There is a simplicity but also a bite that connects all that music, from the growl in the cello to the timbre in Muddy's voice.
I think Churchill is right, the only thing to be said for democracy is that there is nothing else that's any better, and therefore he used to say, Tyranny tempered by assassination, but lots of assassination. People say, If the Congress were more representative of the people it would be better. I say the Congress is too damn representative. It's just as stupid as the people are; just as uneducated, just as dumb, just as selfish.
I wanna record these girls individually. And then, I wanna cut a blues album on me. But all of it, original stuff, you know. When I listen to the blues today, it's like they all sounds similar. I wanna do something different, to try to add to the blues flavor.
When people say, 'Hey, wanna come to our house for dinner?' I say, 'Yeah, what should I bring?' They say, 'How about the dessert?' I just don't skimp on the dessert. I make it the yummy way it should be made, and then I just don't eat the whole pan.
Who's to say a blues man can't play rock and roll?
You play a 'lowdown dirty shame slow and lonesome, my mama dead, my papa across the sea I ain't dead but I'm just supposed to be' blues. You can take that same blues, make it uptempo, a shuffle blues, that's what rock n' roll did with it. So blues ain't going nowhere. Ain't goin' nowhere.
This site uses cookies to ensure you get the best experience. More info...
Got it!