A Quote by Buddy Hield
I just hate playing bad. I hate not playing the way I'm comfortable playing at. It just leaves a bad taste in your mouth.
Related Quotes
There's a roller coaster effect when you're playing good. Everything seems to go your way. But once you start playing bad, you're playing bad.
There's a certain - there's a different pressure with playing in a Ryder Cup. You know, you're not just playing for yourself. You're playing for your teammates. You're playing for your country.
I had the same game plan during a tournament when I was playing bad as when I playing good: being just as aggressive, hitting at every pin.
You're just playing, playing, playing, and then an image or something will come into your mind, and basically you're just narrating it with music, letting it move along.
I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.
If I'm playing a bad guy, and I'm playing him evilly - I'm making him evil; I'm being evil because I want the audience to understand that he's bad - or if I have a line that's funny, I do it in a comedic way, that, to me, is a lie. It's dead when I watch it.
When you're playing a good character, you have an idea that you're playing the hero and the good guy. Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required.
There's nothing worse than bad scatting, except maybe bad mouth trumpet. Mouth trumpet may sound like a trumpet, but it's really more like playing a kazoo. The instant you do your solo, the audience has a bit of a chuckle.
If you're playing in a room that holds 15,000 people, it's just a question of how bad the room acoustics are and in what way they're bad.
When I was playing good, nobody was saying I was playing good. When I was playing bad, I would be the first one on the front of the journal.
You can have a couple of games where you play bad or very good. I think I'm a type of player that days before I know how I feel, if I'm playing good, if I'm playing bad. This is not like lottery here.
I'm a humorist. A guy like Paul Simon just makes my life so much simpler. When I was there, he had a hearing against hate. Steven Spielberg came and testified against hate. Paul Simon said hate was bad. Orrin Hatch was there, and he was against hate too. Everyone was opposed to hate. Is this really a wonderful way to spend our tax dollars, to have these men drone away about how against hate they are?
I was just a very emotional player. I wore my emotions on my sleeve. I pretty much told you how I felt. I didn't mince words, so to speak. If I felt bad, I let you know that I felt bad. If I felt you were playing sorry, I told you. If I was playing sorry, I told myself that. I came from an era when losing really hurt. I didn't see anything good about it.
Boys frustrate me. I hate all their indirect messages, I hate game playing. Do you like me or don't you? Just tell me so I can get over you.
Just playing more, I'm more comfortable. A big part is the boys are giving me a lead a lot of nights. Playing more has just let me be more comfortable in different situations in the game.
I would love to just continue playing characters that break the mold. I like making interesting decisions when playing characters, so, taking something that would seem one way and then playing it a different way.
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