A Quote by Buddy Rich
I consider every drummer that ever played before me an influence, in every way.
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But I've always liked to be the kind of drummer and musician who likes to go outside of what's expected of me, and I've always been able to do more than you necessarily hear with every band I've ever played in.
We haven't started playing it live yet but we're going to. And then 'Warpaint' is a song that's really, really close to me because it's actually - we've had that song for many years now and it's changed so many times, it's been through every reincarnation of our band with every drummer, with sometimes with me playing drums, it was when we were a three-piece, every incarnation of the band that we've had we have played that song.
Just before I play, I like to feel that no-one has ever played the piano before, that I'm in complete virgin territory, and that every note I play is the most beautiful sound I've ever heard.
I don't think I've ever met a drummer who didn't tell me that my dad was an influence. He's a tough act to follow.
I have played in rain before. I have played in wind before. I have played in cold before, but not all put together. They were the hardest conditions I ever played in.
We will direct every resource at our command - every means of diplomacy, every tool of intelligence, every instrument of law enforcement, every financial influence, and every necessary weapon of war - to the destruction and to the defeat of the global terror network.
The Nightmare Before Christmas is my number one biggest influence artistically in every way.
'The Nightmare Before Christmas' is my number one biggest influence artistically in every way.
The world of Stevie Wonder - in particular, the kind of overflowing joy that exists in every single thing I've ever heard him do, every note he sings - that is so deeply inspiring to me in every way.
Was I afraid before every game I played? Did I throw up before kickoff? You bet. But I didn't let that fear cripple me and keep me in the locker room.
I have four warehouses full of stuff. I have every boarding pass of every flight I've ever been on. I have all the old contracts that we had from all the clubs and concerts we played, every one of them, up from 1980. Guitar picks and amps - it goes on and on.
People cried nepotism every time I was on the field. But I played for a lot of coaches before I played for my father, and I started for everybody. He wasn't the first person who all the sudden put me in the starting lineup.
Every time a player goes out there, at least 20 people have some amount of influence on him. His mother has more influence than anyone. I know because I played, and I loved my mama.
I want to wake up with you every morning and fall asleep beside you each night,” Patch told me gravely. “I want to take care of you, cherish you, and love you in a way no other man ever could. I want to spoil you — every kiss, every touch, every thought, they all belong to you. I’ll make you happy. Every day, I’ll make you happy.
I still have a thorn in my side at not having played for Real Madrid or Barcelona, because playing there is a dream for every player. But I consider myself very satisfied to have played for the best teams in Italy.
For twelve years I studied and worked at them every day, and I was nearly 25 before I had the courage to play one of them in public. Before I did, no violinist or cellist had ever played a Suite in its entirety.
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