A Quote by Buddy Rich

I mean, I think I liked every band I ever played in because each band was different, each band had a different concept, and each band leader was different... different personalities and musical tastes.
Every band is different just because of the different combinations of people really are super unique to every band. The way you work together and the personalities that are being brought to the table. Our band is definitely the best combination of personalities I've worked with so far.
The band likes to be different which each album, so that the listener is taken on a fascinating, but different journey each time.
The shows are so different from each other, depending on whether I play with my band, Nine Stories, other musicians, an orchestra, only one or two members of my band.
I think that every band is different, and in fact that's one of the biggest problems with the old-school music industry is that... one band would be successful according to a certain approach, and then every other band in the label gets sent down the same tube.
The reason I stopped doing the band is that I wanted to do something different... Yes had become like 'Groundhog Day' for me. I loved being in the band, but it was album-tour, album-tour, different album-different tour.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
You'll never find a Manchester band slagging off another Manchester band, but within each Manchester band, people will rip each other apart: Mondays, Smiths, New Order, Roses, Oasis.
The Small Faces was such a different band than the Faces. I know three of us are the same, but when you take Steve Marriott out, it's a very different band.
I hope our legacy will be enduring and that people think of us as an important band. But I think Ricky's guitar playing, our style of writing, the fact that we had men and women in the band and gay and straight, I think it's an important band, and the way we wrote by jamming, we really had a different approach.
A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
My idea for our band is to be influenced by something different for every album. So it's almost like making a new band with every record we make I think. That's kind of the path we're headed down now anyway.
If you take a band like Nirvana, their biggest hits are structurally the same as even a hair metal band's biggest hits. The structure's not different - the attitude was different. Except it really wasn't. It seemed a little more human.
In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band.
The rock-band crowd is so different from any other crowd. Because when they are there to see they band, they there to see they band.
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