A Quote by Buenaventura Durruti

The bourgeoisie might blast and ruin its own world before it leaves the stage of history. — © Buenaventura Durruti
The bourgeoisie might blast and ruin its own world before it leaves the stage of history.
We are going to inherit the earth . There is not the slightest doubt about that. The bourgeoisie may blast and burn its own world before it finally leaves the stage of history. We Are not afraid of ruins. We who ploughed the prairies and built the cities can build again, only better next time. We carry a new world, here in our hearts. That world is growing this minute.
The bourgeoisie and the petty bourgeoisie have armed themselves against the rising proletariat with, among other things, culture. It's an old ploy of the bourgeoisie. They keep a standing art to defend their collapsing culture.
Glad tidings to the one who leaves the world before it leaves him, prepares for his grave before he enters it, and pleases his Lord before he meets Him.
Marx's Kapital is not a treatise on socialism; it is a gerrymand against the bourgeoisie. It was supposed to be written for the working class, but the working man respects the bourgeoisie and wants to be a bourgeoisie. Marx never got a hold of him for a moment. It was the revolting sons of the bourgeoisie itself, like myself, that painted the flag red. The middle and upper classes are the revolutionary element in society. The proletariat is the conservative element.
For me, before I go on stage, it all depends. Might be a girl, might be an edible, might be a verse, might be somebody mixing something in my drink without me knowing - hopefully that won't happen tonight.
There are certain things that you can blast through a stereo. You can blast hip-hop. You can blast heavy metal. You can't blast 'All Things Considered.'
Our world is not an optimal place, fine tuned by omnipotent forces of selection. It is a quirky mass of imperfections, working well enough (often admirably); a jury-rigged set of adaptations built of curious parts made available by past histories in different contexts. A world optimally adapted to current environments is a world without history, and a world without history might have been created as we find it. History matters; it confounds perfection and proves that current life transformed its own past.
I wrote and directed a movie called 'Two - Bit Waltz'. We just wrapped. It was a blast, blast, blast.
I have accepted a seat in the House of Representatives, and thereby have consented to my own ruin, to your ruin, and to the ruin of our children. I give you this warning that you may prepare your mind for your fate.
The bourgeoisie and the petty bourgeoisie have armed themselves against the rising proletariat with, among other things, 'culture.'
The leaders of the petty bourgeoisie must teach the people to trust the bourgeoisie. The proletarians must teach the people to distrust the bourgeoisie.
As a writer myself, my job has very often been to also write on the job. So you get the script and a vague idea of how the scene might work, and you then add funny words or change the script. I'm not the world's best writer or the world's best actor, but I can do that thing where I can fix - or ruin - fix-slash-ruin, add quirk, add value.
Dull November brings the blast, Then the leaves are whirling fast.
People pour themselves into their own doctrines, and God has to blast them out of their preconceived ideas before they can become devoted to Jesus Christ.
Seldom aware of the intricate connection between the patterns of their own lives and the course of world history, ordinary people do not usually know what this connection means for the kind of people they are becoming and for the kind of history-making in which they might take part.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
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