A Quote by Buffy Sainte-Marie
I've had a different kind of career on the periphery of show business. I've never been on any kind of corporate timetable whereby every six months I have to pop out a record like a pulping mill. I've called my own shots. When I get tired, I take time off.
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But acting is my main profession so it's about finding the right balance. I don't know how, if I went any further with the music, I would manage to do both - I would have to take time off from acting because I couldn't do both at same time. I could do six months on and six months off perhaps. But I'm really proud of the record. I've worked on it for a while and I'm really glad to finally get the album out, having done three EPs prior to its release.
For a long time I wanted to do the kind of work my dad did. He was going to ask his foreman at the mill to put me on after I graduated. So I worked at the mill for about six months. But I hated the work and knew from the first day I didn't want to do that for the rest of my life.
It would take six months to get to Mars if you go there slowly, with optimal energy cost. Then it would take eighteen months for the planets to realign. Then it would take six months to get back, though I can see getting the travel time down to three months pretty quickly if America has the will.
The fact was that I had always been considered a leader in my scholastic career. It just never dawned on me that this was any kind of preparation for the business world. Like most young women of my background and education, I always performed on demand and never anything else.
Many of us would probably not be in the music business - or never would have been in the music business - had The Beatles not demonstrated that this kind of music, or this kind of performance, was actually viable as a career alternative.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
I never really had a real career trajectory idea. I just like a lot of different kind of movies, I wanna make a lot of different kind of movies, and to some degree you follow opportunity and to the other degree you have to create your own opportunity.
Sitting on the airplane seat today, I was thinking - I have been in different cities every week. Most of the time, it's because of golf tournaments. But occasionally, I also attend various events. All of a sudden, I feel like I am a business woman. Although sometimes I feel tired, I do enjoy this kind of life.
Most of the time I don't force records. I'm not one of these guys that put records out every nine, 10 months. I'm pretty long between records. I've only had a few in my career. I kind of wait until I feel I have really strong songs. I don't know if they're going to change the world or not, but I dig 'em, and if I dig 'em we make a record.
I'm just going to take this in a minute. The wrestling world, we're kind of our own breed and different from maybe some movie stars who have their big speeches that they do that ends their long career in a roast. You're entire career in the WWE kind of like one big roast, but this is the moment where you get to soak it in and just see what's going on for a minute.
I feel less and less like that every year, and I guess maybe even more so with every new record that I put out. I just think, as the years go by, it's harder and harder to really find a reason to be annoyed that you made something that people want to continuously talk about. Certainly there are contexts in which the record can be discussed which will get me on the defensive and make me want to put some kind of calibration or some kind of context on what the record means in relation to my career as a whole.
I feel like I've been very underrated and very kind of disrespected so far in my career. I just take the same approach every time out: try to go out there and dominate and be the best player on the court.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
My career has always kind of moved forward and upward. I've never had anything kind of stall out or go in the opposite direction. I've always kind of been moving in the right direction.
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.
For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
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