A Quote by Buffy Sainte-Marie
But in the old days, visual artists used to fall into two distinct categories: those of us who created images with cameras and those of us who applied stuff onto other stuff, with brushes or other tools.
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Cameras are simple tools designed to capture images. Images that tell us more about ourselves than we realize. They remind us of the long journey we’ve taken. The loved ones who traveled alongside of us. Those we lost along the way. And those waiting for us on the road ahead.
Novelists seem to fall into two distinct categories - those that plan and those that just see where it takes them. I am very much the former category.
I've also been writing for other artists, producing other artists, doing some country stuff. Those lyrics I tend to leave more universal.
Everything has become so easy. It's great that it's at your fingertips, but I miss those good old days. And we're connected, but it can be very alienating. There is this distance between all of us because we're speaking to each other through cameras and monitors and icons and Emojis.
People who truly love us can be divided into two categories: those who understand us, and those who forgive us our worst sins. Rarely do you find someone capable of both.
Einstein's E=mc2 is an extraordinary concept. So radical: matter and energy are two phases of the same sort of general stuff. There's only one other idea that radical: Forgive us our trespasses as we forgive those who trespass against us.
I never write something and consciously embed political commentary or any other kind of commentary. I just try to get the characters into a room or out of a room, or onto the plane, or through the grocery store. The political stuff, the class stuff, the gender stuff, is in the air, it's in their interactions, because it's there for all of us.
In vain do we seek tranquility in the desert; temptations are always with us; our passions, represented by the demons, never let us alone: those monsters created by the heart, those illusions produced by the mind, those vain specters that are our errors and our lies always appear before us to seduce us; they attack us even in our fasting or our mortifications, in other words, in our very strength.
When I was in architecture school, rather than giving us drafting boards and t-squares and lead pencils and stuff they gave us all the same tools that places like Digital Domain and ILM used to make features films or special effects. They gave us all these digital tools like Alias and Mya and Soft Image and all these kind of high-end computers, so I came out of architecture school knowing how to use all that stuff. And I started making short films at night.
When I look back at some of the Chicks stuff, it's the early stuff we did where we kind of giggle and go, 'You know what? Those were the good old days.'
The kids of today have to be better than us. We must strive to create tools adequate for human beings that come with other things that are, at least, different from those we used to have.
I'm very interested in the distance and the space between those two poles: very concrete, song-based stuff on the one hand and very improvisational, abstract stuff on the other. I don't see any reason music should exclude one or the other, and I think the pairing of them together makes for very interesting music in a lot of ways.
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
Out of an intuitive experience of the world comes a continuous flow of novel distinctions. Purely rational understanding, on the other hand, serves to confirm old mindsets, rigid categories. Artists, who live in the same world as the rest of us, steer clear of these mindsets to make us see things anew.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
Part of life is a quest to find that one essential person who will understand our story. But we choose wrongly so often. Over the ensuing years that person we thought understood us best ends up regarding us with pity, indifference, or active dislike. Those who truly care can be divided into two categories: those who understand us, and those who forgive our worst sins. Rarely do we find someone capable of both.
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