A Quote by Buffy Sainte-Marie

The key is in remaining just aloof enough from a painting so that you know when to stop. — © Buffy Sainte-Marie
The key is in remaining just aloof enough from a painting so that you know when to stop.
People won't stop painting, just as they won't stop making music or dancing. This is a facility we have. Children don't stop doing it or having it. On the other hand, it seems we don't need painting anymore. Culture is more interested in entertaining people.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
On painting and fighting looke aloofe. [On painting and fighting look aloof.]
To combat social awkwardness, I would just act like I couldn't be bothered - that kind of aloof persona or aloof demeanor. It's so off-putting.
I never want to stop painting. I'm 94 now. What's my secret? I just keep thinking about the painting I'm going to do tomorrow.
(Landscapes) are too close to painting. And TV has nothing to do with painting. It's just transmission. And you can't transmit a landscape, happily enough.
Just stop it. Seriously. Whatever it is. Just stop it. If only for an hour, a day, a week. Stop doing it long enough to get a glimpse of what the change would actually look like.
The key is to just get on the bike, and the key to getting on the bike… is to stop thinking about ‘there are a bunch of reasons I might fall off’ and just hop on and peddle the damned thing. You can pick up a map, a tire pump, and better footwear along the way.
One learns about painting by looking at and imitating other painters. I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting. There is no other way to find out about painting.
Mindful choosing of friends and lovers, not to mention teachers, is critical to remaining conscious, remaining intuitive, remaining in charge of the fiery light that sees and knows.
I attended the High School of Industrial Arts and studied with many great artists as painting is something that you never stop learning about. Actually, in high school there was a time that I was thinking about just concentrating on painting and I asked my music teacher, Mr. Sondberg, for advice and he encouraged me to stick with the music as well. So all my life I have been singing and painting.
Multinational companies use their technological know-how in their foreign subsidiaries, so reciprocal multinational relationships are key - they lead to a vested interest in both countries to remaining open.
The key thing is managed awareness of your role in the world and history. Think too much and you know you are nothing. Think just enough and you know you are small, but important to some. That's the best you can do.
My room is dominated by the huge painting, which is a copy of 'The Violation' by the Belgian surrealist Paul Delvaux. The original was destroyed during the Blitz in 1940, and I commissioned an artist I know, Brigid Marlin, to make a copy from a photograph. I never stop looking at this painting and its mysterious and beautiful women.
When you turn 60, the key is to not stop moving. Once you start to stop moving, you rust. You got to just keep going.
I've been through hell and back. I have, to be honest, and still I'm able to do what I do and nothing can stop me. No one can stop me, no matter what. I stop when I'm ready to stop. You know, and I'm just saying, you know, I will continue to move forward no matter what.
This site uses cookies to ensure you get the best experience. More info...
Got it!