A Quote by Buffy Sainte-Marie

The paintings are transferred from my computer to a disk, and I can hand it to the printer this way; or I can modem the painting to the printer over the phone lines from my house in Hawaii.
I don't try to force-feed it or put any things on the images until I'm making a painting. It's not photorealism. Photorealism's goal is to reproduce a photograph. The best photorealism can't beat a printer, and I have a really nice printer. I don't want to go blind doing what a printer can do.
Eventually, if you had a printer that is IPP compliant, that printer will have a Web address and anyone around the world who can get on the Internet can print to that URL.
Today, in 2011, if you go and buy a color laser printer from any major laser printer manufacturer and print a page, that page will end up having slight yellow dots printed on every single page in a pattern which makes the page unique to you and to your printer. This is happening to us today. And nobody seems to be making a fuss about it.
We're on the brink of the next industrial revolution. Instead of buying things, you can make them on a printer. When you have a 3D printer, you can iterate more - what used to take months, now takes hours.
Photorealism's goal is to reproduce a photograph. The best photorealism can't beat a printer, and I have a really nice printer.
The technology for a clothing printer exists but is not packaged in a form that would be suitable for consumer use. With the future potential of printing technology, an at-home clothing printer is a definite possibility. Our challenge was to define the experience.
With all the attention given to the personal computer, it's hard to remember that other companion machine in the room - the printer.
I was now ordered to have my writings copied, and put into the printer's hand.
My skills weren't that I knew how to design a floppy disk, I knew how to design a printer interface, I knew how to design a modem interface; it was that, when the time came and I had to get one done, I would design my own, fresh, without knowing how other people do it. That was another thing that made me very good. All the best things that I did at Apple came from (a) not having money, and (b) not having done it before, ever. Every single thing that we came out with that was really great, I'd never once done that thing in my life.
I work closely with the printer to get the final print the way I want it.
People say, 'Well everybody needs a cellphone.' Well, what does 'need' mean? Do you need an iPad? How about a computer? A printer?
Chemistry has the same quickening and suggestive influence upon the algebraist as a visit to the Royal Academy, or the old masters may be supposed to have on a Browning or a Tennyson. Indeed it seems to me that an exact homology exists between painting and poetry on the one hand and modem chemistry and modem algebra on the other. In poetry and algebra we have the pure idea elaborated and expressed through the vehicle of language, in painting and chemistry the idea enveloped in matter, depending in part on manual processes and the resources of art for its due manifestation.
I'm a very careful, slow writer, and I think a lot of that comes from the care required to be a hand-printer, where if something isn't spaced out enough, you take little slivers of brass or copper and put them between each letter.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
Line printer paper is strongest at the perforations.
Or maybe, he thought now, he just didn't recognize all those other girls. The way a computer drive will spit out a disk if it doesn't recognize the formatting. When he touched Eleanor's hand, he recognized her. He knew.
This site uses cookies to ensure you get the best experience. More info...
Got it!