A Quote by Bugzy Malone
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
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Ang [Lee] gave us a lot of books about cowboys who had been gay or stories about it and all that stuff. And I just talked to a lot of my friends - who [was] their first, particularly same-sex, first situation. That was fascinating to me - trying to learn what that was in a certain period of time. Certain age. The secrecy involved in it. All those things.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could do this?" Those people may not be showing the moxie, but that's because they don't even know what's possible. So I want to jump in and say, "Actually, your story is amazing, and I believe in you.".
My aunt Geraldine was the unofficial historian and storyteller. She had all the information about family members and the gossip that came out of the church because we were very much part of the African Methodist Episcopal Zion Church. At family gatherings, the older folk had the floor, had pride of place, and it was their stories I remember.
A lot of the stories I write about have an element of mystery. They're crime stories or conspiracy stories or quests. They do have built into them revelations and twists. But the revelations, to me, come from seeing history as it's unfolding, or life as it's unfolding.
Everything runs its course. We had told a lot of stories that happened in our life. My kid was getting older, and we were running out of stories to tell.
I was born in Earl K. Long Hospital. I was born Feb. 5th, 1986. I have a lot of family members. My grandmother had five girls, and all of them had children. It was always a house full. A lot of cousins. A lot of family members.
I'm a Veteran. I was in the Navy, in the submarine corps. I come from a military family. Both of my grandparents were in World War II and retired as officers. One fought in the Pacific and one fought in Europe. The whole family was in the war. I grew up exposed to it and hearing the stories, but the stories I heard weren't kind of the whole "Rah, rah, rah! We saved the world!" They were about the personal price and the emotional price.
When I'm on tour, I'll just fly the family out, I'll put 'em on the bus with me. They don't have to be there the whole time, but if I'm gone a certain amount of time, you know I'm definitely gonna fly them out. And then a lotta times when I'm home, I do spot dates and stuff on the weekends, because I always want spend quality time with the family. Family at the end of the day is everything, and I value that.
When I was growing up, I heard horror stories about producers losing their houses overnight. No matter who the family is, hearing of them getting evicted is very sad.
I grew up in a family where the love of stories is very strong. And there's also a love of performance. I think one reason stories were so important in my family was that we moved around a lot.
I write poetry to figure things out. It's what I use as a navigating tool in my life, so when there's something that I just can't understand, I have to "poem" my way through it. For that reason I write a lot about family, because my family confuses me and I'm always trying to figure them out. I write a lot about love, because love is continually confusing in all of its many glorious aspects.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
I do like crime thriller stories. That's because these stories have a lot of layers. There are always three sides to such stories... there is a truth, there is a lie and then there is the ultimate truth. Different human emotions and intense interpersonal relationships form the core of stories in this genre.
Stories--individual stories, family stories, national stories--are what stitch together the disparate elements of human existence into a coherent whole. We are story animals.
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