A Quote by Bun B
They're not gong to give Hateful Eight its credit now, they'll give it its credit later. Hateful Eight was too long. I think we've indulged Quentin [Tarantino] so much with his monologues. Quentin has this very strong cult following around him and his projects, and people are always expecting so much from him.
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Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
Ennio Morricone is royalty. He doesn't really do this a lot and Quentin brought him back [in Hateful Eight]. Quentin [Tarantino] basically went back and made his The Good, The Bad and The Ugly-kind of film, the ultimate epic spaghetti western, and then you've got mister spaghetti western himself scoring your movie. It's gonna be hard to not vote for him in a landslide. Probably the easiest win of the night.
I'm wondering if the crew [from'The Hateful Eight'] had some sort of nickname for me. I am blanking at anything truly funny, so I'll just say, 'No Phone Quentin'.
Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
I deliberately try to carry a different perception of myself as opposed to my father's. I respect my dad and his body of work, but I can't give him credit for what I am today. As a person, I give my parents full credit; career-wise, no.
The good people of Dakota offered to give Calvin Coolidge a farm if he would live on it. I wouldn't advise you to give those people too much credit for generosity. There is not a farmer in any State in the West that wouldn't be glad to give him a farm if he will paint it, fix up the fences and keep up the series of mortgages that are on it. And if you think Coolidge ain't smart, you just watch him not take it.
Quentin Tarantino faced the same backlash when his films came out until eventually people felt they were actually much smarter.
I'm fair-minded, maybe. Maybe I bend over backward to give people too much benefit of the doubt. And I'll give credit where credit is due.
'Django' was definitely the beginning of my political side, and I think 'Hateful Eight' is the... logical extension and conclusion of that. I mean, when I say conclusion, I'm not saying I'll never be political again, but, I mean, I think it's like, in a weird way, 'Django' was the question, and 'Hateful Eight' is the answer.
Cry, the beloved country, for the unborn child that's the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing. Nor give too much of his heart to a mountain or a valley. For fear will rob him if he gives too much.
Quentin Tarantino doesn't beat Hal Ashby, and he's one of my favorite directors. Quentin is incredible.
Quentin Tarantino is controlled insanity, I would say. He's very loud and fun. I don't think there's anybody on the planet like him that I have ever met.
When you approach your baby with an attitude of respect, you let him know what you intend to do and give him a chance to respond. You assume he is competent and involve him in his care and let him, as much as possible, solve his own problems. You give him plenty of physical freedom and you don't push development.
The Tucson speech [of Barack Obama] was brilliant, and I'm so angry at Republicans for jumping on him because you have to give credit. Part of being successful is to give credit to people who you may not disagree with when they do well.
I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man.
As a movie fan, I remember Quentin Tarantino and Lawrence Bender and the sort of energy around 'Reservoir Dogs,' and the jump from 'Reservoir Dogs' to 'Pulp Fiction,' and how everybody was stoked on Quentin's career.
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