A Quote by Bun B

Obviously movies like this [Fast and the Furious 7] don't get any love from the Academy. If they do, it may be special effects or sound editing or something like that. — © Bun B
Obviously movies like this [Fast and the Furious 7] don't get any love from the Academy. If they do, it may be special effects or sound editing or something like that.
You may have seen me in movies like 'Fast & Furious' and 'Avatar.' But I wouldn't have been able to do any of that without hard work and determination. You can accomplish anything if you just stay out of trouble and do the right things.
Certain Academy Awards like Sound and Visual Effects and Editing are sometimes referred to as technical awards. They're not technical awards. They're given for artistic decisions. And sometimes we make them better than others, and I guess we made a couple of good ones on this one.
When I was making the 'Fast and Furious' movies, I wasn't trying to make a 'Fast and Furious' movie.
I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.
Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently.
When you have something as unique and special as the 'Fast & Furious' franchise, you want to create an experience for the fans that they can only feel and experience at Universal Parks.
I think that in big-budget movies there's a lot of other stuff going on besides acting, like special effects.
For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"
I didn't see Dr. No for a year, but I liked it when I saw it. It was a fun movie. I don't like the Bond movies now. I hate special effects.
I didn't see Dr. No for a year, but I liked it when I saw it. It was a fun movie. I don't like the Bond movies now. I hate special effects!
Nowadays, you can't broadcast dodgy special effects and then put up a caption saying, 'Sorry, this is what the budget was.' You have to do it with high production values because the audience has been spoilt by the special effects on things like 'The X Files' and 'Independence Day.'
'Fast And Furious 7' was quite random. I remember that it was the first holiday that I took in the entire year. I was in Mussoorie for two days with my friends when I got a call from my international PRs asking me to audition for 'Fast And Furious 7.'
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
My voice doesn't sound like anyone else's. I wanted to sound like my favorite singers when I was young because when you're young you don't put much value on uniqueness. But later I realized I had something special to offer.
This site uses cookies to ensure you get the best experience. More info...
Got it!