A Quote by Bun E. Carlos
The music speaks for itself. You either like it or you don't, or you're somewhere in between. That doesn't change whether I'm in the band or not.
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It's either good, bad or somewhere in between. It's either ying, yang or it's a combination. You're either male, female or somewhere in between. You've got to be somewhere on the map.
I don't think there will ever be a band that compares to Pantera. In my book, they are the icon metal band of all time. Their catalog speaks for itself.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I'm the kind of person who would love to play whenever I felt like, with a band, and it might as well be the Holiday Inn in Nebraska - somewhere where no one knows you, and you're in a band situation just playing music.
Somewhere between psychotic and iconic/ Somewhere between I want it and I got it/ Somewhere between I’m sober and I’m lifted/ Somewhere between a mistress and commitment
As a woman, you spend so much time either cooking or getting ready to go somewhere. I like to have music when I'm doing either of these things.
The world is going to change, whether we like it or not. We can participate in that change or we can be the victims of that change. In a way. Either we go in our stupidity ignorance, and arrogance, bring more destruction in a way, or we're forced to change.
Contemporary philosophers are facing problems that were unthinkable only one century ago, such as whether space and time are mutually Independent, whether there is objective chance or only uncertainty, whether physics can explain chemical change, whether our behavior is fully determined by our genomes, whether ideation can change the brain, or whether either the economy or ideas are the ultimate roots of the social.
It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.
I feel like there's not this black-and-white division between concert hall music and music that bands play in a bar. I don't know if this was ever truly the case, but I don't feel that I need to decide between playing for a sit-down, totally silent audience and playing for a bunch of noisy, drunk people in a bar. What I do with the group is somewhere in between.
I know that I'm not a criminal. People say that, but my music speaks for itself. And I believe in my music.
I didn't graduate high school, so I never got a teacher's education, I'm mostly self-read, self-taught. I always loved music, so I would probably either be in a band with another group of people, or an arranger, a producer, a musicologist, a music history guy, something to do with music. Either that, or I would probably be in jail. Or dead.
I just make the music and then the music speaks for itself.
There's some connection between visual images and music. But there's plenty of old records where I have no idea what the band looked like, or even what sort of context the music was played in.
I like the idea of a kind of eternal music, but I didn't want it to be eternally repetitive, either. I wanted it to be eternally changing. So I developed two ideas in that way. 'Discreet Music' was like that, and 'Music for Airports.' What you hear on the recordings is a little part of one of those processes working itself out.
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