A Quote by Bunny Yeager
I want to show off how beautiful my subjects are, whether its a cheetah or a live girl or two of them together.
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Cheetah genes cooperate with cheetah genes but not with camel genes, and vice versa. This is not because cheetah genes, even in the most poetic sense, see any virtue in the preservation of the cheetah species. They are not working to save the cheetah from extinction like some molecular World Wildlife Fund.
I try in my prints to testify that we live in a beautiful and orderly world, not in a chaos without norms, even though that is how it sometimes appears. My subjects are also often playful: I cannot refrain from demonstrating the nonsensicalness of some of what we take to be irrefutable certainties. It is, for example, a pleasure to deliberately mix together objects of two and three dimensions, surface and spatial relationships, and to make fun of gravity.
On, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human life is a beautiful mess.
I wanted to show off - a simple impulse or drive; in much the same way as some kids wanted to play football, I wanted to show off. Not complicated in that sense, very natural; it just depends on how you want to show off.
It doesn't matter if these characters are supposed to be together forever: if their chemistry gets stale, you want somebody to die, you want to put somebody in a coma, you want to write them off the show - anything to save you.
I want everything we do to be beautiful. I don't give a damn whether the client understands that that's worth anything, or that the client thinks it's worth anything, or whether it is worth anything. It's worth it to me. It's the way I want to live my life. I want to make beautiful things, even if nobody cares.
And while you and the rest of your kind are battling together-year after year-for this special privilege of being 'bored to death,' the 'real girl' that you're asking about, the marvelous girl, the girl with the big, beautiful, unspoken thoughts in her head, the girl with the big, brave, undone deeds in her heart, the girl that stories are made of, the girl whom you call 'improbable'-is moping off alone in some dark, cold corner-or sitting forlornly partnerless against the bleak wall of the ballroom-or hiding shyly up in the dressing-room-waiting to be discovered!
If it makes you feel better, you can tell me to screw off if you want to refuse anything, but I hope you won't because I really want to show you how to live." - Andrew Parrish
It's up to each person's parents whether they think it's too frightening or too violent, how much their kids can handle, what they want to teach them, what they want to show them.
Normal men retain their childish longing for a woman to mother them. At adolescence a new desire is added. They want a girl to allure them. When you put these two together, you have the typical male yearning that Wonder Woman satisfies.
I want to show off how big I am; I want to show off my long arms, my big hands - just loving myself.
Friendship is the complete explanation of what a Cheetah Girl is - if you have that true friendship, you can conquer anything you want.
It's the big question of every TV show, right, where you have these two people who it's clear the world wants to put them together and everyone wants to see them together, but also when you're telling these stories you can't throw these people together immediately.
I think the "trick" is you have to really want to do it. You're embracing more of the world. Which is great. We're all in the world together, you know? And the models in the show who are "plus size," they're not in a special place, they're not wearing differently styled outfits. They're just beautiful girls who are in the show, like normal. Everything's normal. That's how it should be!
Kids are our future, and we hope baseball has given them some idea of what it is to live together and how we can get along, whether you be black or white.
There's a real hunger to understand where objects come from, how artists show their understanding of materials. And there's something fascinating about watching people work, whether it's someone engraving a gun or sewing beautiful clothes together. I know that myself; I'll make a piece of furniture and feel the wood's grain talking to me.
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