A Quote by Burt Bacharach

I'd met Dr Dre, he was thinking about his next album, we talked a little and he said, 'Let me give you some of these loops and see what you come up with'. — © Burt Bacharach
I'd met Dr Dre, he was thinking about his next album, we talked a little and he said, 'Let me give you some of these loops and see what you come up with'.
I don't want to be judged next to guys like Suge Knight. I want to be measured next to David Geffen, Irving Azoff, and Clive Davis. Whether I measure up or not, I let my record speak for me. That's how I want to be judged - by what I've done, not by what people like Ice Cube and Dr. Dre have said about me.
The abuse was just routine. I didn't wake up the next day and say, 'Dre, why did you hit me?' We never talked about it the next day. Never. I can't think of any time we had a discussion about the aftermath of what happened the night before.
The beatings, the beatings were so normal to me. The abuse was just routine. I didn't wake up the next day and say, 'Dre, why did you hit me?' We never talked about it the next day. Never.
Our favourite album that we always listen to in the car is '2001' by Dr. Dre, which is just the ultimate album of all time.
The others can’t see me,” said the little ghost. “I know,” I said. “My name’s Gwyneth. What’s yours?” “Dr. White to you,” said Dr. White. “I’m Robert,” said the ghost. “That’s a very nice name,” I said. “Thank you,” said Dr. White. “I’ll return the compliment by saying you have very nice veins.
I've got an extra-specific story about Dr. Dre. I saw him when I was 9 years old in Compton - him and Tupac. They were shooting the second 'California Love' video. My pops had seen him and ran back to the house and got me, put me on his neck, and we stood there watching Dre and Pac in a Bentley.
Dr. Dre's '2001' album changed modern pop music.
Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
I'm cool with Dr. Dre, I have his phone number, and he picks up when I call.
Me, myself, I'm not a star. I'm just a regular guy who has a great rap album and is the protégé of Dr. Dre. But I'm the most down-to-earth guy.
These people dissing Dr. Dre, they need to get off their cell phones for about a week and come back to reality. They have no idea. Do what he did and then talk to me.
I got to pick the mind of a genius, and I realized why he was a genius. And I realized the man behind the veil or whatever you want to call it. Do you know what I mean? I got to see what makes Dr. Dre Dr. Dre, and I got to interpret that. It's hard to put it into words, so the only thing I know how to do is put it on the screen.
I can say is if anyone gets a chance to work with [Dr.]Dre, it's a moment you will always take with you throughout your career. And as of right now, the Compton album is the only thing to talk about.
I like Jaykae. He's a great artist, and I absolutely love Dr. Dre's album and a bit of Calvin Harris now and then.
I don't care if it's Dr. Dre or Dr. Luke or Brian Eno. When you're in a studio and making music together, it becomes pretty apparent if you see eye to eye.
I mean, like a lot of kids growing up in the early seventies, I was fed Dr. Kissinger with my Fruit Loops. He was the Dr. Ruth of American foreign policy, and the model statesman.
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