A Quote by Burt Reynolds

I'm really much more like Phil Potter from [the 1979 film] Starting Over. People do think I'm the Bandit [from Smokey and the Bandit ], and I'm a lot more serious than that.
I thought 'Deliverance' was a very good film. But it didn't have the success financially that 'Smokey and the Bandit' did, although that film made more money than 'Star Wars' in the first week.
'Smokey and the Bandit' is tough and funny.
I have always enjoyed outlaw films such as 'Smokey and the Bandit.'
It was a bit of a lark when I agreed to do [Smokey and the Bandit], and I knew we'd have fun if we could get Jackie Gleason.
You might be a redneck if you have refused to watch the Academy Awards since Smokey and the Bandit was snubbed for best picture.
Successful leaders develop effective strategies for maintaining their boundaries. ... Most time bandits don't know any better. And being a time bandit is a matter of context. One person's time bandit is another person's pleasant diversion. ... Instead of gritting our teeth to be polite and resenting the time bandit for holding us up, the best choice is to be honest. We cannot expect another person to honor our needs unless we affirm them ourselves.
Smokey and The Bandit was just a lark. All we did was run up and down those Georgia roads wrecking cars and having the time of our life.
Trans Am sales went up 70 percent after Smokey and the Bandit, and I was promised a free car every year for life by the Pontiac president.
Smokey and the Bandit was the first picture [Hal Needham ] directed, and I knew he could handle it. I had just directed Gator, and he saw my style and used that as a pattern.
I'm much more collaborative than I probably was when I was first starting, much more willing to say, "I don't know the answer to that." I have really talented people and let them do their jobs and not try to control everything as much as I did when I was starting. I was a bit more insecure.
I'm very, very serious about what I do. I think there are a lot of people out there sort of thinking it's anybody's game. You know, "You pick up a camera and you make a movie." My experiences over the years have taught me there's a lot more than that to making a film - there's also getting the film seen, and all kinds of complex realities.
... the advantages of being a postman seemed more and more dubious. It is not a congenial profession for anyone who is at all sensitive, for people visit upon the postman all their first annoyance at receiving a couple of bills when they looked for a love-letter, and if a packet is insufficiently stamped they hand over the pennies as though to a despicable bandit, too outrageous to be denied, too groveling to be feared.
We got Sally Field onboard [in Smokey and the Bandit] and it changed the entire dynamic. About a third of the way into filming, I was in the car with Sally and there was this little moment where we kind of looked at each other, and then we both turned and looked over at Hal [Needham]. He gave us a thumbs up and said, "Yeah!" And we kind of knew there was some magic going on.
Granny Weatherwax, who had walked nightly without fear in the bandit-haunted forests of the mountains all her life in the certain knowledge that the darkness held nothing more terrible than she was.
Every good teaching may still end up producing evil bandits who have no principles whatsoever, an outcome even more likely when the teacher is also a bandit.
Your email inbox is a bit like a Las Vegas roulette machine. You know, you just check it and check it, and every once in a while there's some juicy little tidbit of reward, like the three quarters that pop down on a one-armed bandit. And that keeps you coming back for more.
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