A Quote by Burt Reynolds
I realized very quickly that the public has a perfect right to tell you what they want to see.
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When political and business leaders tell the public - any public - 'We don't trust you to make the right decision' - they prejudice that electorate against the very proposals they want it to accept and undermine public confidence in themselves.
I'm a 'What you see is what I want you to see' kind of girl . . . When I first started, I just wanted to be perfect. I wanted to say I loved bunnies and rainbows and world peace. I realized that the only way to be perfect was to embrace your imperfections.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
Once I started working as an assistant director, I just realized very quickly that working on a film set was just a perfect fit for me.
I am not perfect." It came out in a rush of breath. "See I thought I was. Thank God I ain't. See a perfect thing ain't got a chance. The world kills it, everything perfect. (Listen to him!) Now see a thing that ain't perfect, it grows like a weed. Yeah, like a weed! A thing that ain't perfect gets hand clapping, smiles, takes the wire an easy winner. But the world ain't set up right if you perfect. You lible to run right into a brick wall. Looks like suicide. All the weeds say, looka there, it suicide!
There are stylists I really love. I'm a huge Joan Didion fan - if I wrote something that she might like, then I'd feel very proud. I want the action to move as quickly as it does in A Book of Common Prayer, where one thing bonks right into another very quickly.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
I think we have to knock out ISIS. Right now Syria is fighting ISIS. We have people who want to fight both at the same time. But Syria is no longer Syria; Syria is Russia and Iran, who she made strong, and Kerry and Obama made into a very powerful nation and very rich nation very, very quickly. Very, very quickly. I believe we have to get ISIS.
Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!
Unfortunately, I think it's very difficult to separate policy from politics. In a perfect world, in some instances, you probably would want to. In other instances, you'd probably say that the political element is important because it should, in a perfect world, match what the stakeholders need or want, or what the public is after.
Unfortunately, I think it's very difficult to separate policy from politics. In a perfect world, in some instances you probably would want to. In other instances you'd probably say that the political element is important because it should, in a perfect world, match what the stakeholders need or want, or what the public is after.
Since we've come to Charlotte, we very quickly realized that this is home. This community quickly embraced our family, so we put down roots here. We love it here. This is home for us.
I realized that if you try to be the perfect mom, perfect wife, perfect actress, you start to feel overwhelmed. You shut down. I got that really fast... I was running back and forth from breast-feeding to filming a scene, overextending myself on every level. I realized I have to make priorities, and my family is number one no matter what.
Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.
I think when you go in, with film or television, you want to tell this narrative. And with 'Joshy,' you want it to be grounded with moments - it's not like, 'Everyone be as funny as you can, quickly, at all times!' It's not like that. You have to pick the right improvisers.
The worst thing my grandfather did, starting from very early on, was just not accept my father for who he is. As soon as he realized that my dad wasn't the 'right kind of person' - he wasn't 'a killer', he wasn't 'tough' - he dismissed him out of hand and quickly found a replacement in Donald.
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