A Quote by Burton Silverman
Very early in life, I fell in love with the landscape of the human face, where all the emotional states of life are to be found.
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I'm committed to the idea that one of the few things human beings have to offer is the richness of unconscious and conscious emotional responses to being alive. ... The kind of esteem that's given to brightness/smartness obliterates average people or slow learners from participating fully in human life, particularly technical and intellectual life. But you cannot exclude any human being from emotional participation.
The fact that I fell in love with Meghan so incredibly quickly was sort of confirmation to me that all the stars were aligned; everything was just perfect. It was this beautiful woman just sort of literally tripped and fell into my life; I fell into her life.
I was lucky - I found what I love to do early in life.
I discovered early in life a stunning truth that's made my life very complicated in its wake, but that I still think is true, and it's that people are very easy to love.
What I fell in love with as a child was 'My Fair Lady,' 'Funny Face,' 'American in Paris,' and 'Singin' in the Rain.' Just perfect movies to me and I was dancing. I started ballet when I was three. And I fell in love with those movies and fell in love with Audrey Hepburn and Leslie Caron.
I have not led an ordinary life, nor a life that would suit everyone. I took great risks, but because I did, I also earned great reward. I found the way to show my true face freely, without fear. Because of this, I found true love.
From early infancy, it appears that our ability to regulate emotional states depends upon the experience of feeling that a significant person in our life is simultaneously experiencing a similar state of mind.
Good marriages are built upon a combination of emotional love and a common commitment to a core of beliefs about what is important in life and what we wish to do with our lives. Speaking each other's primary love language creates the emotional climate where these beliefs can be fleshed out in daily life.
"God is love". His is not a sentimental, emotional kind of love but the love of the Father who is the origin of all life, the love of the Son who dies on the Cross and is raised, the love of the Spirit who renews human beings and the world. Thinking that God is love does us so much good, because it teaches us to love, to give ourselves to others as Jesus gave himself to us and walks with us. Jesus walks beside us on the road through life.
Our human face happens to be one of the most powerful channels that we all use to communicate social and emotional states: everything from enjoyment, surprise, empathy, and curiosity.
The idea that boxing lends itself to cinema so well is because it's usually a morality play - good against evil, insecurity and triumph, fear strikes out, so the audience can really get drawn into the drama of it. Also, it was sensual and very primal. I think subliminaly we do two things - life is a fight, life is a struggle and we understand that from our early, early, early ancestors, and life is a race.
I'm very interested in cinema that explores emotional journeys and where you can use everything at your disposal cinematically to locate you inside someone's head and their emotional landscape.
The hostility of this landscape teaches me how to be quiet and unobtrusive, how to find grace among spiders with a poisonous bite. I sat on a lone boulder in the midst of the curlews. By now, they had grown accustomed to me. This too, I found encouraging-that in the face of stressful intrusions, we can eventually settle in. One begins to almost trust the intruder as a presence that demands greater intent toward life. On a day like today when the air is dry and smells of salt, I have found my open space, my solitude, and sky. And I have found the birds who require it.
I found a girl, fell in love, she had a baby, and i fell in love again.
I'm removed in my real life, and unable to express certain things face to face. So I have always found myself in this fantasy world. That's why I started writing songs and stories from a very young age. I'd much rather walk around anonymously cooking up tales than face the people that I have known forever.
In a painting no one complains that the subject is posed, but everybody complains about what looks posed in a photograph. Except, I've found that if I go very close in to the face, then the posed expression no longer exists. The face becomes a landscape of the lakes of the eyes and the hills of the nose and the valley of the cleft of the chin.
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