A Quote by Bushwick Bill

My fans know to treat my lyrics like a T-bone steak - you know you can't chew on it unless you cut the fat off. — © Bushwick Bill
My fans know to treat my lyrics like a T-bone steak - you know you can't chew on it unless you cut the fat off.
If you ain't got a fat woman, you're making a big mistake, because a big fat woman tastes as good as a T-bone steak.
I think women in our global patriarchal culture are told to shut their body down. And when we don't know why, we start to cut our body off. You cut off your curves. You cut off your breasts. You cut off the curve of your tush. You cut off your sexuality... and it's relegated to the bedroom.
I almost chopped my thumb off once. Just before I left home, I was about ten or eleven years old, and I was trying to open a bone. Can you imagine that? A bone! I was trying to get the marrow out of a bone, and I took the ax, and I went to chop it, and something slipped, and the ax went right down there and damn near cut it off.
We treat the lyrics like the woman any man wants to impress the most. We give the lyrics all the attention we can. I'm not sure other formats are remembering that the lyrics are what it's all about.
I know I'm appreciated by how fans treat me, and the best way to treat them is play every day, hard. I sign autographs, but if I'm with someone I don't know who doesn't start the conversation, there won't be a conversation. That's just me, living my life. But I'll loosen up after baseball.
The novelist is the vestigial bone on the body cinema. We're like the little toe that can be cut off.
What's the coolest thing in the world is when you have fans that know the lyrics to your songs. That's amazing! Such a great feeling! When I go out there and am playing "Grinnin' In Your Face" and people are singing the lyrics to it, that's amazing to me. I'm actually taking a song where people wouldn't know it, and I'm bringing it back. It's a really cool feeling.
I'm such a carnivorous researcher as an actor - I chew it up like it's meat, and I really don't know how to do that without the people that are producing or creating or writing that which they want me to chew up.
My day one fans - my fans from my mix tape days - know my life now. They know where I've been. You don't want to have a disconnection with those fans. You have to give them all of you because they feel like they've known you.
I've prioritized taking care of my mind, having fun, and doing things that make me laugh. And eating well - as in, really good food, like steak or pasta or fresh vegetables or an amazing dessert. You know, 'treat yo'self.'
I don't speak Japanese, I don't know anything about Japanese business or Japanese culture. Apart from sushi. But I can't exactly go up to him and say "Sushi!" out of the blue. It would be like going up to a top American businessman and saying, "T-bone steak!
All I know is, if we don't eat soon I'm going to chew off a limb. And I can't guarentee it'll be mine.
When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.
I'd say most of the rest of the world are bigger Beatles fans than me. They'd know more of the songs and more of the lyrics - I don't really know that stuff. I just respect them.
I feel like I want to write some songs and I don't know how to go about doing it. Usually it's the lyrics that are a problem, and I think I am not really cut out to be a lyricist.
I know my lyrics might be weird to some, but they're not like that to me because I know where they come from - I know the secret.
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