A Quote by Buster Posey
Votto's a guy I love to watch. I think the numbers will tell you that he's the best in the game at swinging at strikes. By doing that, he gets himself in a lot of good counts.
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There were a lot of people on the other side of the field saying, 'Maybe he's doing this, not doing that.' It's good to bounce back the year after and put up some good numbers, so they know that you're a guy who works.
Everyone's taste is different. But I think the best way to defend against regrets after opening night is to try your best to tell the story you want to tell. In terms of smaller changes over time, I think good plays are like poems. Every syllable counts.
You've got to be willing to look at a guy's face and say I will kill you if I have to. You've got to be willing to look in his face and say that I will stab you, I will hurt you and you can't talk the game, you've got to really act and do the game. Prison is a thing where talking gets you killed. What gets you respect is you do. The guy that you fear is a guy that says nothing.
A guy needs somebody?to be near him. A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he's with you. I tell ya, I tell ya a guy gets too lonely an' he gets sick.
He works fast. He throws a lot of strikes. That's what an infielder loves. It gets you into the game.
Most big popcorn movies are 'bad guy does something to good guy, good guy gets revenge on bad guy, sets the world right, and moves on.' And 'Ender's Game' is just not that simple, so it's an exciting challenge. It's a little terrifying, and let's see how audiences respond.
Like I'm seeing Chris Sale; he's got a similar pitching style and strikes guys out a lot. Why are people only talking about my strikeouts and all that stuff?... Why not the other guys, who have similar numbers and pitch counts?
I think Neil Magny gets picked on a lot because people don't think he is that good. I like the guy a lot.
You can get caught up in the game, just like everybody else in the park. But I can't play favorites and hope this guy gets a hit or that guy gets an out. I have to make decisions based on data and common sense. I have to manage every game to win.
Wrestling fans are the best, because they are so loyal. You can play on emotion. The good guy gets knocked down, and the bad guy takes advantage. And the good guy comes back from the very bottom to make that explosive comeback and overcome.
I just think to pose for the Body Issue is a good idea for people that are bigger-boned. If people can look at me, a guy that's 325-plus, doing an issue like this, I'm pretty sure that they might have a little confidence. There will be critics, just like with everything else. I think a lot of people will get a laugh out of it, I'll tell you that. I'm looking forward to what the locker room's going to say. But at the end of the day, I'm perfectly fine with who I am as a person and what I have accomplished. It shows a lot of my personality.
One of the hardest parts of this game, and what I don't think people understand, is the mental side of it. They think, 'Oh, he's a big, stronger guy.' But let me tell you, and I believe this without question: It's not always the biggest, strongest, meanest, toughest-looking who gets the job done.
Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required. I have to protect my goddess, as best as I can.
My dad took me to a high school basketball game and this very, very famous coach in Michigan, by the name of Lofton Greene - he was a guy that my dad was familiar with. He was from our hometown. And I watched the game and I said I didn't see this guy doing a lot of coaching. And my dad told me, well, it's just like a teacher - which he was - he said if you do a good job teaching during the week, when they take the test on Friday, that's not the time you have to do a lot of demonstrative things.
I watch a lot of television and I watch a lot of film and I hate when you watch the action sequences - and I always tell when they use a stunt man - and then they put the actor in and you can tell these actors haven't done anything.
It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound-that he will never get over it.
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