A Quote by Buster Posey

I'm just humbled Hank Aaron even knows who I am. Growing up in Georgia... he's a legend everywhere, but even more so there. — © Buster Posey
I'm just humbled Hank Aaron even knows who I am. Growing up in Georgia... he's a legend everywhere, but even more so there.
Growing up in Georgia, I used to think people up north or out west were so different. They're really not. They're just regular people who live in small towns. They grow up and try to raise families and have a job and go to church and play softball. It's that way everywhere.
I've taken a lot of crap from a lot of people. Probably more than anybody in the history of this sport. I know Hank (Aaron) and Jackie (Robinson) took a good deal of crap, but I guarantee it wasn't for six years. I just keep thinking: How much am I supposed to take?
When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.
More than anyone else, he's (Hank Aaron) made me wish I wasn't a manager.
More than anyone else, Hank Aaron made me wish I wasn't a manager.
I've always been humble and this even humbled me even more to definitely get a second chance at my career. There are still chapters I'm writing in this legacy.
YouTube is growing up, is basically my view of it. Growing up means our creators are growing up; they're getting more well known. We're providing programs for them to generate more revenue so they can generate even better, high-quality shows, and then also connecting them with the advertisers.
There were some parts of the film [Swiss Army Man] that the Daniels [Kwan and Scheinert] really wanted to look as elegant as a piece of ballet. As Hank and Manny go on in the story, they get better and better at being with each other and more and more adept - Hank knows more and more what Manny's going to need at any given point, and having that choreography helps a bit.
Even with the best intentions, growing apart might just be an inevitable part of growing up.
I mean my mother migrated from Georgia -Rome, Georgia, to Washington, D.C., where she then met my father, who was a Tuskegee Airman who was from Southern Virginia. They migrated to Washington and I wouldn't even exist if it were not for that migration. And I brought her back to Georgia, both my parents, actually.
I remember us coming to Denver when Hank was coach and we were up by four touchdowns just before halftime when Hank decided to go for an onside kick.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
I'm mad at Hank Aaron for deciding to play one more season. I threw him his last home run and thought I'd be remembered forever. Now, I'll have to throw him another.
I remember growing up singing; even when I was just three years old, I was singing all the time in the house. My parents said I was singing before I could even talk properly.
I mean the home run king, to me, is Hank Aaron, but statistically, it's Barry Bonds.
When I say myself, I don't mean just as a woman of color, as a girl who's growing up in the Bronx, as people growing up in some way economically-challenged, not growing up with money. It was also even just the way we spoke. The vernacular. I learned that it's alright to say "ain't." My characters can speak the way they authentically are, and that makes for good story. It's not making for good story to make them speak proper English when nobody speaks like that on the playground.
This site uses cookies to ensure you get the best experience. More info...
Got it!