A Quote by Busy Philipps

Even though I do a more traditional type of being funny on television, I still know a lot of comedians and stand-ups and improv actors. — © Busy Philipps
Even though I do a more traditional type of being funny on television, I still know a lot of comedians and stand-ups and improv actors.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
It's also that comedians don't have the kind of narcissism that actors have. They're writers who perform their own material. It's more interesting. And they're sexy because they risk more. Stand-up comedians risk more than anyone.
Years ago, there was a variety theatre in every British town, and people paid to go down and see it. Comedy was the main part of the theatre, and comedians earned a living by being funny. Now you have comedy in television instead. Comedians now have to be funny within a play.
I know I'm more on television, and I'm more recognisable than maybe even the players because they run and train, but I just stand there, and my face does all these funny things that everyone can see all the time.
I'd been involved with stand-up before improv, so I already thought highly of myself as being a funny person. I never thought I wasn't funny.
The three of us being brought up, even though we didn't know each other in our early lives, on the same type of music, same type of environment, there's a lot of sameness there. It's three peas in a pod, if they'll fit.
A lot of people who claim they're political comedians are just comedians who have opinions. But they stop being funny the minute they give their opinions.
I didn't feel like I was putting anything good into the world, even though it was funny. I wanted to do something more positive that would have an impact. So even when I'm doing naked push-ups or whatever, it's astounding to see how people respond to it.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
I gravitated toward being a funny guy. I liked the radio comedians. I lived in the Golden Age of radio, and the Golden Age of television came along when I was still in my early teens.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
It's really irritating. Even people who like my work sometimes come up to me and say, 'I usually don't like female comedians, but your material is great!' It makes the job prospect more daunting. Funny is funny, you know?
I wasn't even a big comedy nerd. A lot of the comedians I know - a lot of my friends are comedians - they knew a lot about comedy growing up.
Its really irritating. Even people who like my work sometimes come up to me and say, I usually dont like female comedians, but your material is great! It makes the job prospect more daunting. Funny is funny, you know?
I don't know, I find that honestly, the stand-up thing in some ways is a little bit of a cliche to carry around, because people don't consider stand-ups really actors.
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
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