A Quote by Busy Philipps
I had really specific ideas of what kind of mom I was going to be and what kind of things I was going to provide for my child - even down to the organic, wooden toys Birdie was going to be allowed to chew on. Then cut to my daughter being obsessed with every plastic, 99-cent store toy.
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I've found that I snack less and concentrate better when I chew on a plastic stirrer - the kind that you get to stir your to-go coffee. I picked up this habit from my husband, who loves to chew on things. His favorite chew-toy is a plastic pen top, and gnawed pen tops and little bits of plastic litter our apartment.
I'm always going to the toy store; I even have a room full of plastic models.
I'll come up with an idea for a character, and I'll write some jokes and make sure that that character is going to have some legs to it - that it's really going to work. If I can come up with jokes and material that I think will work, then I make a cheap version of the doll. Achmed started out just being this little plastic toy from the store.
When my kids were toddlers, they had all these rotomolded plastic things. My life became surrounded by big, hollow plastic toys - from the scale of playhouses down to rocking horses, and everything in between - which we would then take to the secondhand store. But we'd get sentimentally attached and hate to see them go.
If real, regular, normal, boring life, (when you're at home every day, seeing the same people, doing the same things) is like sitting at home on the floor surrounded by toys... traveling feels to me like going to Toys R Us with your toy box and getting to trade stuff in and buy new things and explore whole new ideas.
There's a great temptation to throw things in, as you put it, that you think are neat, or that you have a very clear, specific memory of and think you could do a good job writing about. What I find is that it's like a seed you plant. You can try it, and if it will grow and connect with other ideas in the book, and you can see connections that you can actually realize on the page, then you're allowed to leave it in. But if it just kind of lies there and doesn't really add up to anything or there's no chemistry with everything else going on in the book, then you have to take it out.
One time I went to Berlin and, for some reason, everywhere I was going they had fishbowls. Like a fishbowl by your bed or a fish tank in the bar. They seem obsessed with this IKEA version of nature, which a fishbowl kind of is. They had that going on. I just don't really like having a goldfish by the side of my bed. I feel kind of sad for it, rather than happy. But I thought that was really weird. Maybe they have human fishbowls.
Part of writing a novel is being willing to leap into the blackness. You have very little idea, really, of what's going to happen. You have a broad sense, maybe, but it's this rash leap. It's like spelunking. You kind of create the right path for yourself. But, boy, are there so many points at which you think, absolutely, I'm going down the wrong hole here. And I can't get back to the right hole. I'm not going to be able to get this section back to the right hole - so I'm just going to have to cut it.
What I love the most that I really want to talk about is that there are women in business. They are incredibly focused on creating their own businesses and going out there. That's going to be their life, whether they have kids or not. And then there are women who have children that kind of nobly say, "You know what? I'm going to be a mom, and that's going to be my work and my love of my life." Which to me, is just as ambitious of a job and a journey.
All of my dishes kind of have the same thing going on - I'm always going to give you the same things that I grew up with or that my mom used to make. I'm not going to use nitrogen in my tacos.
I'd always wanted to be a mom. Actually, being a mom was always my top priority. It was like, 'I'm going to be a star and I'm going to get done with that and then I'm going to go be a mom.'
If you're not allowed to experiment anymore for fear of being considered self-indulgent or pretentious or what have you, then everyone's going to just stick to the rules - there's not going to be any additional ideas.
If you have things or are involved with things that turn on, it's going to have code. And there are so many people - let's pick on the historians - even as a historian, let's say I ended up going the road of being a historian, just knowing some basic scripts, any kind of automation would have made me a 10 times better historian because I wouldn't have to sit there changing every file name to "1234" and then "12345." It can have a transformative value.
A lot of actors lack confidence - even if you're doing really well, you kind of feel like this might be your last job. I enjoy the feeling of, "Maybe I've bitten off more than I can chew," and then working really, really hard and thinking, "Wow, I like that. I did that." Don't get me wrong, I'm not the kind of person who jumps out of planes and enjoys bungee jumping or anything like that, but I definitely enjoy living quite spontaneously and going with the wind.
Every time you do a take on a movie, you're not sure if it's going to succeed. Even if you have a great cast, like we had, every scene you're kind of waiting for the release. 'Oh, yes; it happened. We got it!' There's always the possibility that it's just not going to work.
Are you going to be just kind of a walking monument to a job, or are you going to have some kind of really significant inner life of your own? Because the external things the job, the house, the this, the that do not really fill the place inside.
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