A Quote by Butch Hartman
When 'Johnny Bravo' was going to end, I thought, 'I really need to sell something. I need a job.' So, I sat down and just sketched this little boy with a fairy godmother. I was going to do a boy version of 'Cinderella.'
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I felt like for what I needed, Bad Boy got me... they got me covered. Especially Puff, man. He's going to be the first billionaire rap entertainer. At the end of the day, they need me. Other artists-labels don't need me, but Bad Boy and Puff needs me. And I need them. It goes both ways.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
I'm Min's fairy godmother, Charm Boy,' Liza said, frowning down at him. 'And if you don't give her a happily ever after, I'm going to come back and beat you to death with a snow globe.' What happened to "bibbity bobbity boo"?' Cal asked Min. That was Disney, honey,' Min said. 'It wasn't a documentary.
He was just hungry, Papa. He's going to die. He's going to die anyway. He's so scared, Papa. The man squatted and looked at him. I'm scared, he said. Do you understand? I'm scared. The boy didn't answer. He just sat there with his head down, sobbing. You're not the one who has to worry about everything. The boy said something but he couldn't understand him. What? He said. He looked up, his wet and grimy face. Yes I am, he said. I am the one.
My dad still hasn't heard 'I Love My Dad,' and I'm sure he'll say something like, 'It's good, but I love your version of 'Little Drummer Boy'!' My dad loves my live albums - he's obsessed with the live version of 'Little Drummer Boy' for some reason.
I just don't want people to think I'm too sweet of a boy; and little miss angel boy, because I'm going to get caught doing somebody horrible.
I always like to meet the people I'm going to photograph. I need to have a conversation. I need to feel a vibe. I need to see what's going on in the person. I'm not just interested in physical beauty. I really need a personality.
When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.
We sell a lot of jewelry, not just the grills. We got a whole line of watches, me and my boy Johnny Dane.
I'd just love magic. I'd love to be able to just click and transport. I'd be like a fairy little godmother, I think, going round hearing what people wish for and seeing what I could do for them.
'I don't need very much now,' said the boy, 'just a quiet place to sit and rest. I am very tired.' 'Well,' said the tree, straightening herself up as much as she could, "well, an old stump is good for sitting and resting. Come, Boy, sit down. Sit down and rest.'And the boy did. And the tree was happy.
We set up a bakery called Bad Boy Bakery, to cook on the inside to sell on the outside. It was huge, because it got them working. I'd give them a certificate to go back in the community with a skill. They could get a job. We set up a little bakery and it's gone crazy. I need to be that raw to do the glossy stuff. I need to get back to that kind of scenario.
I had a really hard time after 9/11. I was basically living across the street from the World Trade Center, and a big chunk of debris fell on top of my building, and the roof caved in. I thought I was going to die. Really. I'd never thought that before, but on that day I sat there and thought 'I cannot believe it's going to end this way.'
Part of writing a novel is being willing to leap into the blackness. You have very little idea, really, of what's going to happen. You have a broad sense, maybe, but it's this rash leap. It's like spelunking. You kind of create the right path for yourself. But, boy, are there so many points at which you think, absolutely, I'm going down the wrong hole here. And I can't get back to the right hole. I'm not going to be able to get this section back to the right hole - so I'm just going to have to cut it.
Like everybody coming from Europe, I didn't believe it at first, but you really need time to adjust. I thought it was going to be like going from Croatia to Italy. But you really need the time just to understand things here.
I need you here with me we look for our love but we dont find it im searching and searching, I really need you here with me boy were going Round-and Round!
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