A Quote by Butch Hartman

I learned early that I could get attention from adults with my drawings. — © Butch Hartman
I learned early that I could get attention from adults with my drawings.
I learned early on that I could get a lot of attention by singing and writing little songs, so it was like throwing nuts to a monkey... I just couldn't get enough.
I like the drawings. And as a photography fan myself, I would look at Helmut Newton or Irving Penn and like to see the initial notes or drawings, to see where the ideas grew from. Also my sketches are key to my work because I came to realise early on that by doing drawings, I could formulate a plan of what I was thinking of - I could take control and direct the work.
My sister was born a couple years after I was, and I realized that I wasn't getting enough attention, as much attention as I used to before she showed up, and then I learned pretty early on that if I could do a silly dance or make grown-ups laugh, then the attention would come back to me, and I would be accepted.
All my work begins with drawings. I don’t labor over my drawings. I want to get freedom in the line. I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes.
I've been drawing since about age 5. In kindergarten I drew a picture of my teacher and she loved it! Made a big fuss over me. That's when I realized that, if I drew cool pictures, I could get attention from adults. From that point on I was an attention freak!
Young people are more hopeful at a certain age than adults, but I suspect that's glandular. As for children, I keep as far from them as possible. I don't like the sight of them. The scale is all wrongs. The heads tend to be too big for the bodies, and the hands and feet are a disaster. They keep falling into things. The nakedness of their bad character! We adults have learned how to disguise our terrible character, but children, well, they are like grotesque drawings of us. They should be neither seen nor heard, and no one must make another one.
I learned early on that if I was to get attention, I would have to be charming. Even the models I've photographed are often like that. Some of them are not beautiful. But, if you catch them in the right light, they glow.
Many adults, whether consciously or unconsciously, find it beneath their adult dignity to do anything as childish as read a book, think a thought, or get an idea. Adults are rarely embarrased at having forgotten what little algebra or geography they once learned
It was funny, Skip thought, how much attention children demanded the first few years of their lives and how hard adults strove ever after to get their attention.
Humour is learned behaviour, and I know exactly why I learned to be funny. I did it from a very early age. My dad was a hilarious man, and the way we interacted was being silly together. It was a way to hold his attention.
I learned my "facts of life" on toilet walls. I'd walk up in school bathrooms and there would be crude drawings and figures engaged in sex. That's how I learned.
I kinda halfway paid attention to politics during my early years, but the older you get, the more you realize it's very important to pay attention to who gets elected. They can ruin the country.
The first thing that I learned - and I understood it at a really young age - was that I could get a laugh. Really early. Because my mother and father are funny.
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
I was a little ham and was a very open kid, probably because I was around adults all the time. That also forced me to grow up fast, and I learned at an early age about how people lie and deceive each other.
I really wanted to be a cartoonist, and I was in 4th or 5th grade and I would bring my drawings in, and I'd look around, and everyone could draw better than me. Everyone. My drawings were just awful. So that's why I had to write.
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