A Quote by Butch Trucks
Country's cool if you like that kind of thing, but it doesn't have the complexity or - what's the word? - subtlety.
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Amazing fine tuning occurs in the laws that make this complexity possible. Realization of the complexity of what is accomplished makes it very difficult not to use the word 'miraculous' without taking a stand as to the ontological status of the word.
I like the idea of a trilogy. It's cool. I like the word. When you do four, the word isn't cool - not as cool.
Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety's not my forte.
'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.
We academics - I am an academic - we love complexity. You can write papers about complexity, and the nice thing about complexity is it's fundamentally intractable in many ways, so you're not responsible for outcomes.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
Cool is spent. Cool is empty. Cool is ex post facto. When advertisers and pundits hoard a word, you know it's time to retire from it. To move on. I want to suggest, therefore, that we begin to avoid cool now. Cool is a trick to get you to buy garments made by sweatshop laborers in Third World countries. Cool is the Triumph of the Will. Cool enables you to step over bodies. Cool enables you to look the other way. Cool makes you functional, eager for routine distraction, passive, doped, stupid.
I was like, "This is a new thing that the gay people have decided? That's the gayest thing I've ever heard in my life." You can't do that. You can't decide that a word is forbidden now collectively amongst your group of human beings, that the word is a slanderous evil nasty word about homosexuals. It's not, the word doesn't mean that. And sometimes it's a good word to use in comedy. That's what your friend has to realize when he's at a bar just yelling out the word.
My take is that the kind of complexity which says we can always generate complexity from simple interactions following for example rules.
Its very variety, subtlety, and utterly irrational, idiomatic complexity makes it possible to say things in English which simply cannot be said in any other language.
There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.
With the arrival of the new comes the need to overcome fascination with novelty in order to approach substance and sophistication - a sophistication born of subtlety and depth of perception, not complexity and perceived virtuosity.
I feel like a lot of famous people think that they're doing a good thing by being kind. They're like, "Hey, I could be an asshole, but I'm not! Isn't it so cool that I'm so down to earth?" Like, No, you're not!
I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
Contrary to what you may have heard from Henry Rollins or/and Ian MacKaye and/or anyone else who joined a band after working in an ice cream shop, you can't really learn much about a person based on what kind of music they happen to like. As a personality test, it doesn't work even half the time. However, there is at least one thing you can learn: The most wretched people in the word are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.
There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.
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