A Quote by Butch Trucks
I remember somebody came in with Chicago Transit Authority, and we listened to it one time.
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The last job I applied for was to be a bus driver for the Chicago Transit Authority in 1957.
It's easy to say why I love coming to Chicago for my signings, because I still remember the very first time I came to Chicago, right before 'Shiver' came out. I remember I was so struck by the feel of the city, how wide open it felt, even with these massive buildings all around me. The parks and green spaces are incredible.
I vividly remember D'Angelo's 'How Does it Feel?' as a song I listened to around the time I came out.
When the Chicago rap scene came about, I listened to all of the upcoming artists like Lil Durk, Chief Keef and G Herbo.
Jay Z and Biggie and Nas always listened to my direction. They listened and they applied it and I also listened to their opinions and that's why the records came out so good.
Authority and power are two different things: power is the force by means of which you can oblige others to obey you. Authority is the right to direct and command, to be listened to or obeyed by others. Authority requests power. Power without authority is tyranny.
Modern air travel means less time spent in transit. That time is now spent in transit lounges.
A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.
I remember very vividly what it's like to be a child. The adults you liked were the ones who listened to you when you spoke and gave you time to say what you wanted to say and actually listened, and quite often reacted as a result of what you'd said.
I listened to it last night for the first time since we started this project. I went out to my car and put it in and went to an empty parking lot and just listened and read the little pamphlet that came with it. After two or three songs I burst into tears.
I'd been acting in Chicago since I came back after University, and I got a call from my agent saying, 'They're doing this revival of 'On a Clear Day,' and I actually auditioned when the team came through Chicago for the 'American Idiot' tour.
I remember this song by Clay Walker that came out in the '90s called 'This Woman and This Man,' and it was about breaking up, loss, the pain of moving on, and my parents were just getting divorced at the time, so I listened to it over and over again.
I'm from Chicago, my family started a chain of movie theaters in Chicago that were around for 70 years and then one of them became the head of Paramount and the other was the head of production at MGM and we all came out of Chicago.
I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp... I listened to everything I could that came from that place that they call the blues but, in formality, isn't necessarily the blues.
In Chicago, we have a century-old transit system that desperately needs updates to keep up with increased capacity.
You have to go with your instincts. I remember when I was about to make "Fistful of Dollars" a big article came out that said, "Italian Westerns are finished." I said, "Swell." Then, of course, the film came out, and it did something. I'm so glad for the dozens of times I haven't listened along the way.
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