A Quote by Butch Trucks
Duane lived life right on the edge. If you ever read Goethe's Faust, Duane Allman was very much that kind of figure. His deal with Mephistopheles was to experience everything life has to offer, good and bad.
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Duane Allman was one of the best there ever was ... when you listen to him, you are hearing a truly gifted individual giving his all to the music, and there is nothing better than that. Duane played music the same way that he rode his motorcycle and drove his car .. he was a daredevil, just triple Scorpio, God's-on-my-side wide open... that was part of the romance and I loved Duane. I have nothing but admiration for him
Duane Allman didn't see himself as the bandleader .. he led by example, and you gained a lot of respect from Duane if you earned it, if you proved you could keep up with him. If you couldn't, you'd either end up in awe of him or you might not even like him. He was very different from Jerry Garcia (guitar/leader of the Grateful Dead) who was very easy going. Duane didn't have time to be easy going ... there was much more urgency to his personality
Duane Allman was the best guitar player I ever heard who didn't read a note.
Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from
The thing with Berry and Duane and the rest of us in the original Allman Brothers seemed to be a once-in-a-lifetime thing. When Duane was killed, we knew we lost a great part of that, but we still managed to play some great music.
Duane Allman inspired the group to explore the extended jam format that was already a staple of the Allman Brothers act. Moreover, his ferocious slide playing motivated Clapton to turn in some of the finest guitar performances of his career
My favorite artists are able to take things to the edge or just over the edge. Miles Davis and Duane Allman, for example. It's about not playing too many notes. Those guys had lots of phases to their careers, but they always played with economy and intelligence.
Duane Allman might be my favorite guitar player ever. I'd say I'm influenced by the Allman Brothers more than any other band. When I taught guitar lessons for a living, the students that were interested in soloing had to learn the intro to 'It's Not My Cross to Bear' first thing.
You can talk about all the great guitarists you want Jimi Hendrix or whoever but as far as I'm concerned, Duane Allman is the best. No one ever played like him.
If there's anybody who knew how to play in a studio, it was Duane Allman.
When we started, it was so intense: it was like a religion. And when you played with Duane Allman, you either gave it your all or you got out.
We all knew that asking another guitar player to step into Duane Allman's shoes would not really be fair to anybody who had a conscience.
Whenever I sing blues from the '50s or the kind of blues that you might have heard Eric Clapton or Duane Allman emulate, I often feel the similarity of some of the ragtime stuff I sang early on. A lot of the phrasing and the harmonization is the same.
I'm a big fan of other guitar players, Duane Allman and tons of them, but I don't really love totally guitar-specific albums.
When we were on acid, we would go into the woods, because there was less chance that you would run into an authority figure. But we ran into a bear. My friend Duane was there, raising his right hand, swearing to help prevent forest fires. He told me, "Mitchell, Smokey is way more intense in person!"
Upon the publication of Goethe's epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy.
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