A Quote by Butch Trucks
If there's anybody who knew how to play in a studio, it was Duane Allman.
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The thing with Berry and Duane and the rest of us in the original Allman Brothers seemed to be a once-in-a-lifetime thing. When Duane was killed, we knew we lost a great part of that, but we still managed to play some great music.
We all knew that asking another guitar player to step into Duane Allman's shoes would not really be fair to anybody who had a conscience.
Duane lived life right on the edge. If you ever read Goethe's Faust, Duane Allman was very much that kind of figure. His deal with Mephistopheles was to experience everything life has to offer, good and bad.
Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from
Duane Allman was one of the best there ever was ... when you listen to him, you are hearing a truly gifted individual giving his all to the music, and there is nothing better than that. Duane played music the same way that he rode his motorcycle and drove his car .. he was a daredevil, just triple Scorpio, God's-on-my-side wide open... that was part of the romance and I loved Duane. I have nothing but admiration for him
Duane Allman inspired the group to explore the extended jam format that was already a staple of the Allman Brothers act. Moreover, his ferocious slide playing motivated Clapton to turn in some of the finest guitar performances of his career
Duane Allman didn't see himself as the bandleader .. he led by example, and you gained a lot of respect from Duane if you earned it, if you proved you could keep up with him. If you couldn't, you'd either end up in awe of him or you might not even like him. He was very different from Jerry Garcia (guitar/leader of the Grateful Dead) who was very easy going. Duane didn't have time to be easy going ... there was much more urgency to his personality
Duane Allman might be my favorite guitar player ever. I'd say I'm influenced by the Allman Brothers more than any other band. When I taught guitar lessons for a living, the students that were interested in soloing had to learn the intro to 'It's Not My Cross to Bear' first thing.
One of my great frustrations for 35 years at the paper was the fact I couldn't play a record for the reader when I was writing about an artist. How can you describe the beauty of Emmylou Harris' voice without hearing it, the sensual lilt of a Duane Allman guitar solo without actually hearing it, or the growl of Johnny Rotten without hearing it?
Duane Allman was the best guitar player I ever heard who didn't read a note.
When we started, it was so intense: it was like a religion. And when you played with Duane Allman, you either gave it your all or you got out.
Anytime I'm playing music or getting ready to record, Duane Allman will enter my thoughts, and so will Berry Oakley. It's part of my musical makeup and mental process when it comes to music. We learned to play together and taught each other a lot.
You can talk about all the great guitarists you want Jimi Hendrix or whoever but as far as I'm concerned, Duane Allman is the best. No one ever played like him.
I'm a big fan of other guitar players, Duane Allman and tons of them, but I don't really love totally guitar-specific albums.
By the time I got to the Fox studio for my first major film, I knew how to hit a mark. I knew how to memorize lines. I knew how to pay attention.
Whenever I sing blues from the '50s or the kind of blues that you might have heard Eric Clapton or Duane Allman emulate, I often feel the similarity of some of the ragtime stuff I sang early on. A lot of the phrasing and the harmonization is the same.
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