A Quote by Butch Trucks

My hearing after 50 years of playing music sometimes isn't too great. — © Butch Trucks
My hearing after 50 years of playing music sometimes isn't too great.
I do remember one of the first great experiences of going to Europe was playing in Rome hearing the people sing our music so loud. It was louder than the music we were playing.
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
Some say that now that 50 years have passed, we would like another 50 more years to celebrate once again; that means it will be 100 years. After one hundred years, I will be 118 years old.
I loved playing in England. But after a few years, I didn't find it challenging enough. I wouldn't say I was bored, but it was becoming too repetitive - playing with and against the same players year after year.
I probably won't be able to hear it until five years from now anyway. That's when I always hear my own music. It takes five years to sit down with it after not hearing it for a couple of years.
After 50 years of smoking unfiltered cigarettes, my father died, too young, of a massive heart attack. He was 69. It's almost certain that all those years of nicotine inhalation were a major contributor to his clogged arteries.
The Chinese government promised Hong Kong '50 years, and change.' And 50 years later, after 1997, will be 2046; I think, 'Well, that's a very interesting promise.' So I want to make a film about promise.
I learned about music by hearing the same song 50 times a day. I had some ability in music. It wasn't in my blood, in my DNA, but if you grow up around something you become good at it.
I was studying at the Royal Academy of Arts, and I was playing the role of Dr. Ivan Chebutikin in Chekov's 'Three Sisters.' I was about 50 years too young for the part.
I think sometimes Europe may take for granted the extraordinary progress that's been made over the last 40, 50 years. I recognize that sometimes there is great frustration that arises out of the euro zone or out of the EU.
Technology has altered the way music sounds, how it’s composed and how we experience it. It has also flooded the world with music. The world is awash with (mostly) recorded sounds. We used to have to pay for music or make it ourselves; playing, hearing and experiencing it was exceptional, a rare and special experience. Now hearing it is ubiquitous, and silence is the rarity that we pay for and savor.
The years after 50 can be a time of great productivity, meaningful work, pleasure, creativity, and innovation. It's a huge opportunity.
After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
The first 40-50 pages of 'Veekai' is what made it film-friendly. I realised the subject would be relevant even after 50 years.
Speaking of WAMU, [bluegrass and old time music DJ] Ray Davis did a lot of work there. I've know Ray, I guess for 50 years - 40, or 50 years. And, he plays a lot of my records.
At this time when I turn 50, because so there's many of my friends and family who didn't get to see 50-years-old, and so, I'm celebrating for them too.
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