A Quote by Buzz Osborne
I've always had the idea that multi-millionaire rock stars should work harder than anyone because they have the ability to do it. Look at an artist like Andy Warhol. He never stopped working, even after he didn't need to work again.
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I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
I'm a millionaire, I'm a multi-millionaire. I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do.
I'm a millionaire, I'm a multi-millionaire, I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do.
Andy Warhol: I think everybody should like everybody.
Gene Swenson: Is that what Pop Art is all about?
Andy Warhol: Yes, it's liking things.
I'm always willing to work that little bit harder to achieve what I need to achieve because I feel like it's a blessing for me to be here. I was never supposed to be here. I'm the black council estate kid, single parent, from West London, with friends that are in jail, friends that have committed heinous crimes, friends that are doing nothing. I'm not supposed to be here, therefore I have nothing to lose. I'm always going to work harder than everyone else because if it doesn't work, "So what?".
All right. I will be a man about this…I’m so sorry Bets. I should have hidden the keys. Booted your tires. Something. I had no idea anyone would abuse you so, baby. I swear I’ll never let anyone hurt you again. Ayyy, how could they do this to you? How? Oh the humanity!” – Andy “I really need to get that boy a girlfriend- or at least laid.” – Sundown
25 years ago, when I started in New York, I had the pleasure to cook for Andy Warhol. At the time, I could have traded art for food - I should have done so, because I could get his work for nothing!
I just feel like bands always need to work harder than the hardest working band. You need to constantly be one-upping yourself and surprising yourself at how hard that you'll work and devote yourself to your craft.
I've always been the underdog, and I've always had to work much harder than the next person just to get a look. But I feel like that's Black people as a whole, to be honest with you. We have to do so much more and work so much harder to get certain kinds of looks within this industry.
When people asked to buy my work I always said no. I'd had this rather rarefied idea that I didn't want money going through my head while I was making work. But after the car crash I realized that none of my work was owned by anyone. After that, I grew up a bit.
Every time I work with Dr. Luke I learn something new. He's kind of like the Andy Warhol of pop music, where he mass produces his art but it always still has heart and always still has an emotional thread to it. I think he's really a genius and I'm so lucky to have gotten to work with him.
I'm a big believer of work/life balance. You need a little down time to recharge to make sure that when you're here, you're really all here. I still have a child in high school, so I go to her sporting events, even if it means leaving work and working again when I get home. I probably should work out a little more than I do.
I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.
I would rather sit still in a state of peace on a stone than ride in the motor-car of a multi-millionaire and feel the peacelessness of the multi-millionaire poisoning me.
Me being an artist working with dancers and seeing how hard they work, they are the first to show up and the last to leave. They work just as hard, if not harder, than me - and they never get credit for it.
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