A Quote by Byron Dorgan

I came into American politics and into this political system proud of politics and the way we make decisions. — © Byron Dorgan
I came into American politics and into this political system proud of politics and the way we make decisions.
What is politics? Political system is equal to development politics plus political politics.
The entertainment industry has three kinds of politics - sexual politics, money politics and power politics. A desperate actor can become victim of any of these political games.
The message I'm trying to send is that technology is political, and that many decisions that look like decisions about technology actually are not at all about technology - they are about politics, and they need to be scrutinized as closely as we would scrutinize decisions about politics.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
My family was entirely political, all the time, on the left. The opposite of that is not to be political on the right. It's trying not to be - politics is not everything. There's life other than politics. Politics intrudes.
The politics of personal destruction, the politics of division, the politics of fear, it's all there. It helps you to define the politics of moderation - the politics of democratic respect, the politics of hope - more clearly.
Here we are the way politics ought to be in America; the politics of happiness, the politics of purpose and the politics of joy.
I can't define myself as a political writer - I don't think I've earned it, and I don't function as a political writer in the way that many of the writers I admire do. It's not simply a question of context, of where I'm writing from - there is much in American society that urgently needs to be written about. I think your work is always engaged with politics in the looser sense of the word - and that looseness is itself a kind of privilege - because politics and culture are evidently intertwined.
If the court is a political institution making important political decisions, then the public should debate the politics of Supreme Court decisions.
We need a new kind of politics. Not the politics of governance, but the politics of resistance. The politics of opposition. The politics of joining hands across the world and preventing certain destruction.
I've always championed women in politics. We just get stuck in; politics isn't a game. The decisions we make affect people's lives, and that is something we must all keep to the forefront of our minds.
I think if you're going to make political art, you have to engage at some level. You can't just write about politics, you have to try and be politics as well.
Politics is not predictions and politics is not observations. Politics is what we do. Politics is what we do, politics is what we create, by what we work for, by what we hope for and what we dare to imagine.
Imagining the overthrow of the current political system is the only way I can be enthused about politics.
Politics is corrupting the American judicial system in much the same way the judicial system was corrupted in Nazi Germany.
There is no such thing as being non-political. Just by making a decision to stay out of politics you are making the decision to allow others to shape politics and exert power over you. And if you are alienated from the current political system, then just by staying out of it you do nothing to change it, you simply entrench it.
This site uses cookies to ensure you get the best experience. More info...
Got it!