A Quote by Byron Katie

I think that's the trick: wanting what I have. — © Byron Katie
I think that's the trick: wanting what I have.

Quote Topics

People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
I think there's something about wanting to stand in the spotlight. I think the ball is a spotlight, for example, and I think they want to stand in that. I a lot of times see - LeBron is a guy that vacillates between wanting to do that and then wanting to get somebody else involved.
I just keep working out. You can't stop. Everyone thinks there's a trick, but there's no trick! The trick is, you have to be consistent.
I think the great trick of doing my sort of thing is to learn to use your downtime, and of course in the media and especially in television, there's a heck of a lot of time of waiting around. And I think the trick is to use that.
I think that anytime that you can open your eyes and see all that you have and all that you've been blessed with, it's the greatest way to connect you with God, just being grateful rather than always wanting more, wanting to be different, wanting to be better.
What magical trick makes us intelligent? The trick is that there is no trick. The power of intelligence stems from our vast diversity, not from any single, perfect principle.
The trick to having good ideas is not to sit around in glorious isolation and try to think big thoughts. The trick is to get more parts on the table.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
Not wanting anyone to pop my bubble by speaking to me, I immediately began reading Lesbian Nuns, and that did the trick. No one attempted small talk.
I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
Somebody said that writers are like otters... Otters, if they do a trick and you give them a fish, the next time they'll do a better trick or a different trick because they'd already done that one. And writers tend to be otters. Most of us get pretty bored doing the same trick. We've done it, so let's do something different.
I think that's all a form of wanting to let go, of wanting to get out... It's not something easily described or understood.
People think that jumping or do trick shot is gifted. Yes, it's gifted but is a lot of work. I won't say I work on the trick shot, but it's like I think physically I'm one of the best.
I think the desire to be funny was a mixture of wanting to be liked but also wanting to throw your elbows a bit.
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